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It ain’t a secret anymore.

Apparently it’s been four years in the making.  We were hit with the opening salvo a year ago in the form of an Skrully Electra.  And now it’s here.  What has been a really satisfying slow build up has now exploded into an intense, in-your-face declaration of war.  I enjoyed the first issue, but at the same time, I kinda wish we could go back to the prelude.

Part of the reason for this is that the title Secret Invasion is a bit of a misnomer.  It really isn’t a secret anymore…it’s a full out invasion.  While Tony Stark, Hank Pym, and Reed Richards are investigating why the Skrulls are invisible to any detection powers, SHEILD tracks a Skrull transport that crash-lands in the Savage Land, and Iron Man’s Avengers go to investigate.  Except Luke Cage’s team of renegade Avengers decide to steal their Quinjet so they can get there first.  This delays Iron Man’s team all of three minutes and they have a stand off in front of the transport.  Then all hell breaks loose as the Skrulls attack at several strategic locations across the globe, each with a cultish “He loves you” mantra.

I had to read this twice to decide if it was a good issue or not.  What I liked about the months leading up the event (dubbed Secret Invasion: The Infiltration) the suspense of not knowing who was a Skrull and who wasn’t, how long they’ve been masquerading as our heroes, how long they’ve been here, how many there are, and what happened to the heroes they’ve replaced.  Those questions are quickly tossed out the window, and while we are not given the answers, they’re replaced with a flurry of battles, double crosses, and surprise reveals (and some not all that surprising).  I felt it was too much for the introductory issue of the event.  Despite all this, it was fun if a bit rushed.  I still really don’t like Leinil Yu’s artwork…the lines are too heavy, the proportions off, the action sequences are sloppy, and his females all look like Aunt May on Halloween.  Look at the attack on the Black Widow…probably one of the most sloppy representations of Spidey’s webs that I’ve ever seen.

Final word: it’s a good, if not great, opening that makes me intrigued for the rest of the series.

My friend and fellow author on here, Mike, has been after me to read George R. R. Martin’s “Song of Ice and Fire” novels for some time now, and I haven’t shown much interest. I’ve found that I’m not really a fan of high fantasy that much, preferring the humourous fantasy novels of Pratchett. I’ll even admit that I didn’t really enjoy the Lord of the Rings movies. Much like Matt Fraction’s opinion, if you put an elf on a horse, I’m falling asleep. Oddly enough, I remember enjoying reading the Dragonlance novels as a teenager; I wonder what I would think if I picked one up now.

While doing my regular perusal of the graphic novels section at the library, I came across The Hedge Knight, co-produced by the Dabel Brothers and Marvel, along with Raymond Feist’s Magician: Apprentice Vol. 1. I figured that I’d give them a shot, and if I wasn’t into it after the first issue of the collections, I’d just return them unfinished. Colour me surprised. Both The Hedge Knight and Magician: Apprentice were very enjoyable, with the former not really having any true fantasy elements, and instead being more a tale of knights, heraldry, and tournaments. The latter was closer to what I think of as high fantasy, with wizards, firedrakes, and trolls, adding in the regency of the medieval era. Having not read the originals, I can’t speak to how well they were adapted, but the stories were compelling in their own right. There was adventure, humour (though not the broad humour of Pratchett), both were about young heroes in the making.

Mike Miller’s art in The Hedge Knight conveys broad-shouldered knights quite well, although everyone seems to have a very youthful appearance, even the older men. Brett Booth’s art for the first three issues of Magician: Apprentice also worked for me, better than his similar work for Anita Blake: Guilty Pleasures, also from Marvel and the Dabel Brothers. Booth draws pretty men. Extremely pretty men. Painfully pretty men, but likewise his representation of Anita makes her look less like an executioner and more like an ingenue. That same innocence works very well on Pug, the young student magician. The last three issues were drawn by Ryan Stegman, who is billed in the back as an “emerging artist”. I didn’t dilike his art, but the transition between the two styles was jarring, particularly since the transition took place during a cliffhanger. His character designs are so different that it’s hard to think of them as the same people. The linework is also much thicker than Booth’s making the transition that much harder.

Not exactly fantasy, but still by Marvel and the Dabels, Laurell K Hamilton’s Anita Blake, Vampire Hunter: Guilty Pleasures didn’t keep me as entertained as the other two collections, but I had read the original work years ago. It seemed pretty faithful, in that I’m still not sure if Hamilton is writing a romance, a horror, or a detective novel. Art is by Booth, as I said above, and he draws incredibly sexy male vampires. Long and lanky with cascades of hair, I’d say he’d be an ideal candidate for the Queeries category of “Best Non-Queer Artist Who Draws Awesome Male Asses”, but he generally draws more front views than rear.

After reading these collections, I’d like to think that I’m more inclined to read the original works, but I have a feeling that I’m more likely to read more graphic adaptations than check out the text only versions. Maybe if I get that Kindle, I’d load one up on it, but I can’t see myself carrying one of Martin’s tomes with me. As far as sequels to these collections, I know that the Anita Blake series is being continued, but with the Dabel Brothers being split from Marvel, I’d imagine the future of the other series is more unsure. I believe Marvel retained the rights to the licenses so I guess it’s all up to how sales figures worked for Marvel.

There are quite a few movies coming out in the next year that have been produced from our beloved comics. Some will rock; some will suck. But here’s a list of the upcoming releases that I’m looking forward to:

Battlestar Galactica: April 4
Iron Man: May 2
Indiana Jones: May 22
Incredible Hulk: June 13
Wanted: June 27
Hellboy 2: July 11
Batman: The Dark Knight: July 18
The Punisher: September 12
Star Trek: December 25 (this may have been pushed back to 2009)
The Spirit: January 16, 2009
Watchmen: March 5, 2009
Wolverine: May 1, 2009

Unknown dates 2009:
Green Hornet
Superman

With issue #554, the ‘World’s Greatest Comic Magazine,’ aka, Marvel’s Fantastic Four, has had yet another creative team relaunch. Normally, 66.6% of these relaunches are Ho-Hum at best (as in “the return of J. Scott Campbell”who ended up only doing covers) or idiotic (let’s erase thirty years of Spider-Man continuity) at worst. But the remaining third are often a worthy change. The new creative team on The FF is one such worthy change, as it consists of megalomaniac, Mark Millar (writing), detail-freak, Bryan Hitch (drawing) and tracer extraordinaire, Paul Neary (inking). This is the same team who brought us The Ultimates, which was, in my opinion, a very interesting and well crafted comic.

Now, having been through my share of FF reboots over the years, I wasn’t overly hyped for this version. And to be honest, I’m not in awe of this team of artists and writer. But I’ve always had a fondness for the FF when they’re done well, which, for me, constitutes that family feeling of familiarity, communication, bickering and, of course, solving galactic problems that threaten the Earth, if not the Universe. The Civil War arc that Marvel ran last year had it’s Good, Bad and Ugly moments, but I was thoroughly disappointed with the way that they wrote Reed Richards, the (allegedly) ‘smartest man on earth’ as a blind-sided fool. (Personal aside: I honestly believe that Dr. Doom is smarter, but he’s never grown past his high school emotional jealousy that he keeps getting his ass whupped. C’mon, Doom could use his magic to send the FF to hell any old time and probably get away with it. Doom works at it; Reed kinda takes it for granted.)

I gave the ‘new’ FF creative team two issues (#554-555) to see what they can do and I can say that I’m impressed. In #554, Ben cannily guilts Reed into going with him to visit his old school by saying, “Any chance of doin’ a solid for the guy ya disfigured in that cosmic ray accident?” This gets followed up later with Reed giving a lecture to the school kids on his ‘anti-Galactus suit,’ and boring them to the point of near-fatal nose-picking, which is broken only by Ben interrupting, “Anybody wanna play in the Fantasti-Car?” sending the kids into a frenzy. No, these scenes aren’t terribly pertinent to the main story, but they’re the type of characterization that I’ve always felt was successful for the FF. Reed is too smart to see that everybody isn’t as excited by nano-particles as he is and Ben is the ice breaker.

I like the addition, or rather, return, of Alyssa Moy, the character Sue describes as “Mrs. Fantastic.” Alyssa is an ex of Reed’s from college. She’s cute, sassy and equally as smart as he is, even though she’s now married as well. Although the chemistry between the two is still pretty tame at this point, I can see the seeds of angst being planted by Millar. Flashbacks of flirting from their college days, as well as observations from Alyssa’s husband regarding her feelings towards Reed are tell-tale signs that the pot’s going to be boiling over soon. No, I don’t think that Sue & Reed will split (again….), but I’m going to enjoy the miscommunication, the innuendo, the assumptions, and the ensuing chaos presented by “Mrs. Fantastic.” (Yes, I just enjoy the name…).

As for Johnny Storm…. let’s see… it’s been about 45 years since FF #1 came out and he’s still called Johnny, aka, the boy who never grew up. Well, I can’t say much complementary about him in this reboot. He decides that he wants to put together a band through a reality show and ends up making out with some hot babe/diamond robber in a sexy leather suit while trying to bust her for the crime. Hasn’t this guy learned ANYTHING in 45 years!?! Ok, ok, comic continuity being maybe one year for every ten that we, mere mortal comic readers live, maybe it’s only been four or five years for Johnny. But, Geez! The guy’s been involved with Skrulls, Heralds of Galactus, Inhumans, models, bimbos, witches, and anything in a skirt. If he doesn’t have a majority of the social diseases out there, he should at least have enough dating knowledge to not act like a drunken frat boy 24/7. (Hmmm, maybe that’s why the FF are rich: Reed invented cures for all the STD’s Johnny brought home over the years…?)

And Sue… stalwart Sue. She’s easily proven herself to be the most powerful member of the team on numerous occasions. She’s taken Doom down single-handed. She looks good in leather, even after giving birth. She’s smart, funny, and makes sure the bills get paid. She’s the one constant in a group. Here, she’s trying to create a charity group, working with She-Hulk and the Wasp. The scene where they’re discussing issues, while being served tea and pumpkin pie by modified Doom-bots is a treasure. Sue explains it by saying, “Oh, you know what Reed’s like… Always building stuff while we’re watching TV. I don’t even ask.” Again, this is the characterization that I’ve come to know and love with a well done FF.

Oh, did I mention the plot? Here comes the spoiler info, for those of you who care… The plot revolves around Alyssa’s husband, in conjunction with several other bazillionaires who’ve learned that Earth will only be habitable for another 10 years and have decided to pour their riches into creating ‘Nu-World,’ an exact replica of Earth, minus the guns, war and troubles (though keeping the graffitti, for ‘arts sake’), for all six billion humans. Things begin to go awry in issue #555, but I eagerly await the next installment to see how far the pot boils over. The art is solid the writing is spot-on and the plotting is the usual slow burn I’ve come to expect from Millar before he pours the molten liquid over my brain. The only thing that I can say that I really don’t like is the drawing of the Thing. Hitch seems to be taking a leaf from Kurt Busiek’s “Astro City” character from the First Family (who was, of course, drawn from Marvel’s FF). Ben is drawn somewhere between a human, a lizard and the orange rock we’ve come to know. It just doesn’t work for me… but considering that I’m enjoying the rest, I guess I can make allowances.

My rating: Go buy it.

There’s an invasion going on in the Marvel Universe. Alien shape changers have infiltrated our super teams and taken over the persona of some of the most mighty heroes. Their intent: to take over our planet, which they see as rightfully theirs.

Go Skrulls!

I’m really looking forward to this spring and summer’s Mega Event. It just feels exciting. According to interviews from Marvel Mastermind Brian Michael Bendis, this storyline has been brewing for years. According to him, after this story is done we’ll be able to look at recent events such as Avengers Disassembled, House of M, Secret War, Civil War, and Captain America’s Death, and be able to see a Skrully hand manipulating all of it. This doesn’t feel like a simple retcon to me…this apparently has been sneaky ol’ Bendis’ plan from the very start. And I think that’s why I’m enjoying it so much. It’s creative, it’s well planned, and it feels like there are real consequences. Who knows who could be a Skrull? We’ve already seen Elektra and Blackbolt revealed as Skrulls…could we see Spider Man as one? Thor? Devil Dinosaur and Moon Boy? Since they did the unthinkable and killed Captain America – and kept him dead for a year now – you have to wonder if Marvel is willing to take chances on some of their other major characters.

When Marvel announced Civil War a couple of years ago, they said the intent was to bring a level of distrust back to our heroes. It used to be that when Spider-man crossed paths with the FF, there would be some doubt about the other hero’s motives. The FF saw all the negative reporting in the newspaper about Spidey and wondered if he could be a criminal, and Spidey distrusted anyone that might be inclined to try to have him arrested. The Skrull storyline succeeds where Civil War fails. Civil War seemed like a good idea with a lot of potential that ended up rushed, written by committee, and edited to pieces. On the other hand, Secret Invasion seems well crafted, paced correctly, and genuine. The threat seems real, the implications seem dire, and the distrust between the heroes seems at an all time high. Not only does each character have to wonder if their teammates are aliens, but they also have to wonder who has known what, and for how long. It’s a fun story line and I fully hope that Marvel is finally able to fulfill the potential of the story. Most importantly, this is a story that deserves to be an event.

So who is a Skrull? Of course, I have some ideas. Here, I present my top 5 Skrull Choices:

1. Cyclops. The leader of the X-Men has gone all hard assed of late. Apparently the mutant decimation and loss of Professor X has gotten to him. Or maybe a Skrull has.

2a. Ms. Marvel. You can bet that the Skrulls have landed in SHIELD. Who better than a SHIELD agent who also leads the Avengers, and can keep close tabs on Tony Stark? If not her, look for….

2b. Maria Hill. Stark’s #2 at SHIELD led the organization from Secret War to Civil War, and her arrival coincided with with Nick Fury’s disappearance. Speaking of which…he’s due for a return. What role will he have in Secret Invasion?

3. Wolverine, but only the New Avengers Wolvie. The X-Men’s is the real one. It would go a long way to explaining how he can be in every comic at the same time!

4. The Scarlet Witch. A Skrull with Wanda’s powers could have intentionally caused House of M (a perfect opportunity for Skrulls to move in?). Plus doing so allows Marvel to bring her back, all heroic-like and not at all crazy.

5. Hawkeye. Hey, weren’t you dead? Oh yeah, that’s because you’re a Skrull.

What do you think? Who’s a Skrull? Who do YOU trust?

Let me just re-iterate that I am a huge Warren Ellis fan. I have liked and/or loved almost everything I’ve read of his. That having been said, this is way down on the liked/loved scale for me (maybe actually below “liked” and into “could care less about” territory).

Part of the problem is that I’m just not sure I can ever be a fan of these “bad guy perspective” comic books. I don’t feel like there’s anyone for me to empathize with, no protagonist, at least not in the traditional sense. And therefore they’re usually just lost on me.

I do think Ellis is doing a good job of trying to get us to empathize with some of the recurring characters in spite of their evil-ness. But then of course they just go and kill an innocent bystander or in some other way show their lack of moral fiber, and it’s like all of that care he’s carefully built up is gone in one quick fell stroke.

Oh yeah, and conclusion? I thought this was a complete arc! The next issue has a different subtitle entirely, yet this arc has about as much conclusion as a single issue of some other comics out there.

The art is good, and the characters are fun, so I think it’s really only the story that I disliked. I’d say read it if you’re into it, but don’t go out of your way.

Written by Mark Millar, drawn by John Romita, Jr.

Awesome comic. Creator-owned, so not beholden to Marvel, although they do a lot of name-dropping of Marvel stuff in there, which makes sense since it’s an Icon book (Marvel’s creator-owned imprint–they publish Powers).

It’s about a teenager who decides to become a super-hero. He doesn’t have any powers, he doesn’t have any special training, he just has a costume and the balls to do it (although maybe not for much longer after the third page). The rest of the issue is a flashback of his “origin”, what there is of it.

I’m kind of surprised by how much I liked the comic. I’m not a huge fan of either Millar, or Romita Jr, but don’t really have anything against either of them. Romita Jr’s art really works here, although I keep picturing the main character as a cross between Sprite from the Eternals and Ken Connell from Starbrand. The first issue goes by really fast, but that seems to be the state of comics these days–everything seems to be written for the trade, or maybe that’s just the expectation that we give comics now. I finished it wanting to read more right away.

The story itself seemed very realistic to me in terms of what a teenager, what I as a teenager, might think of doing. That you might actually think it’s a good idea to put on a costume and go beat up bad guys, and how that might end up not working out so well for you. It’s pretty brutal, both in violence and in how teenagers get treated by each other.

I just finished The Pulse, Vol 2 today, and it was superb. I only vaguely remember the whole Secret War thing, but you don’t really need to know more than the gist of it to “get” how this book ties in with the story. Although I will say that this TPB more than any others in the Alias series does seem to rely on your knowledge of the outlying Marvel universe.

When I first read Alias, I didn’t like Jessica Jones. Of course, by the end of the series, I was totally in love with her. Or anyway, with the idea of her. And she just keeps getting better. She’s such a no-nonsense character. A breath of fresh air when you start to imagine it in the context of the whole convoluted era of Secret War, for sure.

So if you haven’t heard of it, or maybe you’ve just never gotten around to it, I highly recommend you read Alias. (No, it’s not anything like the TV series, and neither is based on the other.) The Pulse seems to just continue the series under a different name (I have no idea why they changed it… although this does seem plausible.) and is also quite excellent.

I have the next TPB upstairs, and I think I’m going to have to read it tonight or tomorrow.