Read Comics

Comics read since last time:

Young X-Men 1-6
Cable 3-5
The Last Defenders 1-2
Gotham Underground 7-9

Young X-Men is a lot more of a continuation of New X-Men than I thought it would be. Including New Mutants #1 was pretty neat; it brought back memories for me. I wish I could still get the feeling I used to get when I was reading New Mutants as a young teenager, but then again, isn’t that true of everything you remember from your youth? Nostalgia includes the Greek word for pain. The bad guy is telegraphed so early on, I hope they didn’t think anyone would actually be fooled by the subterfuge. I did enjoy this a lot more than I thought I would, but then, it is Guggenheim doing the writing. Although I’m annoyed by most of the characters, and miss some of the ones from New X-Men that I liked. Anole, come back, all is forgiven!

Cable got better, but only slightly. Cannonball apparently had no trouble finding steroids in future. Honestly, Sam Guthrie, one of the lankiest characters ever created suddenly has not guns, but cannons? At least I’m not paying for it, other than the cost of getting to the library. I have a feeling the time travel chase scenes will get old. Cable should’ve brought Sophie with him. Of course, it would’ve been a little too much of Voyagers crossed with Doctor Who at that point. Oh, with huge nonsensical guns.

I don’t know much about the history of the Defenders, just knowing some of the team line-ups. I don’t think I’ve read any of the original series, and much like the Champions, it’s always seemed like a way for Marvel to cash in on the success of the Avengers and the relaunched X-Men. At what point did the X-Men become an actual hit? I know that it was on the verge of cancellation in the ’60s, with a long run being reprints. But the Defenders has always seemed like a “why bother” team. Maybe it’s a way that Marvel retains copyright on certain characters by bringing them out, dusting them off for awhile. These first two issues are an awful lot of set-up, so far. I can feel Giffen’s touch, although not as much as when he and deMatteis wrote their other Defenders story earlier in the “bwah-ha-ha” vein. A few nods to Civil War, the Initiative, and even Secret Invasion, with Blazing Skull correcting Nighthawk about his moniker. I’m interested in Nighthawk’s history, so that might be a reason to go back and read some original Defenders stories. Was he one of Marvel’s answers to Batman?

Speaking of Batman, I wonder if anyone is able to tie together into a cohesive continuity all of the stuff going on in DC right now. Where exactly does Gotham Underground fit in to Batman RIP and Final Crisis? I finished this trade off last night, and it seemed mostly to be a rehash of War Games, as well as a way to reintroduce Spoiler. I love Batman’s rogues gallery, and would like to see more Penguin and Riddler–the Joker’s so over done now. But I’d like to see them given some respect again. Maybe a little less reinvention and bit more back to basics.

Keith Giffen is a truly disturbed individual.  This is not news.  He’s the guy who created Lobo, Ambush Bug, and reinvented the Justice League, putting Blue Beetle and Booster Gold together.  Bwah Ha Ha and all that.  In more recent years, he headed up the Annihilation series for Marvel.

What shows Giffen to completely off his rocker is a series for TokyoPop called I Luv Halloween, with art by Benjamin Roman.  All three volumes of this series have been put together in a nice hardcover called the Ultimate Twisted Edition.  Which is an apt description.  This is one of the most twisted comics I’ve ever read.  The comics are about four friends who go out trick or treating, each volume starting out the same way.  Finch, our hero, puts on his mask and prepares to leave.  You can see that Finch is the kind of boy who likes to take apart things.  Toys.  Small animals.  But compared to his little sister, he’s the tame one.  Your first image of Moochie is of her dressed as the tooth fairy, pulling out the tooth of a corpse seated at the dinner table.  One can only assume that this corpse is that of their mother.  This is quite possibly the least macabre thing that Moochie does for the rest of the 496 pages.  I Luv Halloween is the cartoon version of a Rob Zombie movie.  Moochie would smile up at Leatherface with her angelic blond face, and then slice his kneecaps off.  She would convince Jason Voorhees and Michael Myers to hitchhike to Canada to escape her, only to find her waiting at the border, where she’d cheerfully stab them in the eyeholes of their respective masks.  This kid would turn Hannibal Lector into a vegetarian, and give Freddy his own worst nightmares.  In fact, I’d like to see a Moochie vs everybody comic.

I Luv Halloween is full of murder, mayhem, and will quite probably cause mental instability in anyone who reads it.  In short, I loved it.  The writing is hysterical, in both definitions of the word.  Even though this is put out by TokyoPop, the art is not in the manga style.  It is very cartoon-like, which works well for this series.