Posts Tagged ‘Spider-Man’

Links, links, linkedy links!

August 14th, 2012 by Susie

It’s been a little while since I last posted.  I was planning writing a review of the Amazing Spider-man, but then I went on a week long cruise the day after I saw it and it got sidelined (I saw whales!  It was awesome!).  I’m not going to write a long review, but I will say a little bit about it.  I really liked it, more-so than the original movies (which I liked a lot).  I liked that it felt smaller in scale than those previous films.  Not that it didn’t have plenty of comic book action, but the story felt more personal. It was a movie about a Person with powers, instead of a person with Powers.  I liked Emma Stone as Gwenn Stacy.  I liked that she fit into the love interest role very well, while not being a stereotypical superhero love interest.  She was smart and not in just a “oh look she’s pretty and brainy, aren’t we progressive?” way.  When she got the “I’m going to push you away so I don’t put you in danger” treatment, she knew exactly what was happening and refused to accept it.  And she served a function in the plot other than to be imperiled and-or longed for.  Also, she and Andrew Garfield had really good chemistry together.  Speaking of Garfield, he was very good.  He brought several layers to Peter Parker, which are there in the comics, but I hadn’t seen in the earlier films.  He aptly portrayed Peter as an awkward kid with an enormous burden.  We saw his guilt over his part in his uncle’s death, and his unbridled joy in discovering his new powers.  I also really enjoyed the scene when those powers first manifested

Okay those were my thoughts.  Now to make up for the lack of a legnthy review, here are a bunch of links!

On the topic of our friendly neighborhood web-slinger, check out this Spider-man fan film from 1969!  It’s charmingly homemade, and does capture the simplistic and sort of hokey feel of the early sixties issues.

And here is an awesome article about why Princess Leia is such an important icon.

And now an enormous and intricately detailed model of Serenity, made out of Lego!  How freaking cool is that?

This I only just discovered.  It’s a tumbler devoted to reviewing, page by page the novelization of Back to the Future.  It picks apart the questionable quality of the writing, while also analyzing the story itself.  I especially liked this passage.

“To buy into Back To The Future, you need to accept not only that time travel exists, but that there exists a META-TIME, because changes to the timeline THEMSELVES take time: Marty stops his parents from meeting and rather than disappearing right away, he has a week in 1955 to sort this out before the consequences of that become critical.  In other words, whatever change you make to the timeline ripples through it like a wave in a bedsheet, altering things as it goes, and you’ve got until when that wave catches up with you to fix things if you’ve done something dumb like prevent yourself from being born.

Proof for this is that Marty’s siblings faded away in order from oldest to youngest – the change caught up with them first!   We’re going to assume you start to fade when your birth gets interfered with.  The fading isn’t consistent (Brother Dave fades from top to bottom while Marty just gets less and less opaque), but we’re estimating!  Here we could assume instead that you start fading when the date of your conception gets messed with rather than date of your birth, but we’re not, because that’s a rabbit hole of tracing events back to causes that puts us back in 1955 again.

So!  Since we know the day Marty arrived in 1955 and stopped his parents from meeting (Saturday, November 5th), the day he started actually fading away (a week later on Saturday, November 12th, 1955), the year Marty was born (1968) AND we even can guess at the day (most stuff puts his birthday at either June 12th or June 9th (same as Michael J!)) we can calculate pretty reliably how fast this meta-time lets changes move in this story, which is how fast changes to the timeline propagate.

A change made to the timeline on November 5th, 1955 takes 7 days of real time to ripple through time and reach June 9th, 1968.  That’s 4,604 future days to ripple through (inclusive, so we’re assuming that Marty was born near the end of the day, but it doesn’t make THAT much of a difference), therefore meta-time travels at about 657.71 times faster than regular time here.

One problem, cats and kittens: with this number Dave actually fades out too soon (he’s not born till 1963 but he shows effects of fading early in the morning of November 6th, 1955, and with our meta-time speed the changes should only 3.6 years out by then, back in good old 1959).  So we adjust our theory to say that these changes here travel at a speed that AVERAGES out to that 657.71 times faster number, but it can go faster and slower in places.

This raises the question: what does this propagation speed depend on?  Well, there’s actually evidence in the movie that lets us conclude that the speed of changes to the timeline is dependent how much it’s being changed from its original shape.  AND I CAN PROVE IT WITH MATHS AND LOGICS:

So remember that Marty starts to fade, and then Lorraine and George kiss and BAM, everyone in Marty’s photograph fades back in right away, one after the other.  This is obviously way faster than our number from before, but we incorporate this by assuming that the timeline is flexible, but like a spring, it has a preferred shape.  Changes that restore it to its original form propagate much faster (30 years of timeline gets restored in about 4 seconds here, which is a meta-time transmission speed of a zany 236,676,945 times faster than regular time), while those that deform it into unusual shapes travel at our (much) slower speed.

HOWEVER: it gets more a teensy bit more complicated when you do something that changes the timeline back to its original form in one way, but changes it in another way (like oh I don’t know coming up with and then executing a plan to get your parents back together in such a way that one of them experiences an epiphany and moment of personal growth while the other gets assaulted??).   In this case you have TWO ripples going out: the restorative one that puts things back as they were originally with children being born and what not, and the altering one that applies the changes from that baseline.

That’s RIGHT: two ripples, baby, and they’re travelling at different speeds, with the restorative one several orders of magnitude faster!  This is critical because soon when Marty returns back to 1985 he’ll witness himself going back in time again as he remembers it happening, go to bed, and wake up in a future he barely recognizes.  The restorative ripple goes through time, restoring his family, in about four seconds.  We see that happen with the photograph.

What we don’t see (because Marty travels through time pretty quickly after this dance and never looks at the photograph again) is the alterations to the baseline timeline that are happening in the meantime, at a slower speed.  These are the ones changing his family history to the “improved” edition.  When Marty arrives in 1985 he actually gets there BEFORE the alteration ripple gets there (he’s travelled through time and in doing so jumped over the ripple travelling through metatime), so he can watch himself, then he goes to bed.  As he sleeps the altering ripple catches up and changes things around him, causing him to wake up in a 1985 he doesn’t recognize.  This ripple goes faster than the original one did, travelling 30 years in only about 8 hours of real time instead of a week, but here the changes are proportionally much smaller!  All that’s changing is jobs and lifestyles for a few characters, we’re not dealing with an entire family never existing.

I hope that this post convinces you that changes to the timeline in the Back to the Future (Part 1) universe take time to travel through time, and that the speed at which this metatime allows changes is proportional to the size of the change being made!

INTERESTING ASIDE: One cool thing we get from this theory is that a more minor change Marty made in 1955 could’ve affected him while he was hanging out there, and it’s a shame he didn’t put any money in a bank account when he was there because midway through his week in the past he could suddenly discover that he’s rich!!

INTERESTING ASIDE 2: some of you are probably saying “Wait when Marty watches himself it’s the Lone Pine Mall instead of the Twin Pines Mall he remembers, this ruins the theory!” but ACTUALLY, it only strengthens it.  One of the first things Marty does when he arrives in 1955 is kill a pine tree, and that minor ripple had a full week of real time to arrive in 1955.  When I said earlier there are TWO ripples, I was simplifying: each change actually gets its own ripple, which propagates at a speed dependent on the magnitude of the change.  This makes sense as soon as you realize that changes are obviously a spectrum, and not just “major” or “minor”.  When Marty arrives in 1985 again it’s already changed from what he’s remembered in minor ways, in the process of changing in more major ways, and will change more over the next few hours as everything stabilizes into the new normal.

INTERESTING ASIDE THE THIRD: the fact that Marty isn’t altered as the timeline catches up with him is something we’ll deal with down the road, because it raises some timey-wimey issues too!”

Okay, hope everybody is good.  That’s all I’ve got right now.  I’ll probably be back after I’ve seen the Dark Knight Rises (if I see it while it’s still in theaters).

Julie Taymor’s Spider-Man

March 5th, 2009 by florence

Spider-Man: Turn Off The Dark Check out this awesome and unlikely combination: Spider-Man + Broadway musical+ Julie Taymor directing + U2 composing = Spider-Man: Turn Off The Dark.

I adore Julie Taymor and her entirely unique twisted dynamic view, so I can’t wait to see this show. They have cast Evan Rachel Wood as Mary Jane. I loved her as a young lesbian on ‘Once and Again’, and I thought she did a decent job in Julie Taymor’s ‘Across the Universe’.  No casting for Peter Parker yet, but they’re supposed to start rehearsing in the fall and debut in January 2010.

I have issues

January 31st, 2009 by jason

Comics read since last time:

JLA 70-71
Scalped 12-18
Spider-Man: Swing Shift
PVP (this week)

I’m halfway through The Obsidian Age arc, finishing off the first trade just in time to return it to the library on the due date, and haven’t yet started the second trade, so I’m still not sure where it’ll end up. Our heroes are stuck in the past, and in the present, the alternate JLA is facing the press, in a scene very reminiscent of when Captain America introduces Hawkeye, Quicksilver and the Scarlet Witch. There are questions about where the “real” JLA is, which the Atom fields like a pro, only stumbling when a question gets asked by the reporter with the most invested in the answer: Lois Lane. I love team books, even though you can get pretty tired reading them. You increase the power level exponentially by having all these characters team up, so you need to up the potential catastrophe. It actually gets a little farcical. How does anyone actually get anything accomplished when disaster strikes constantly, the type of disaster that can only be averted by the JLA? And that’s what this new JLA is facing: crisis-level disasters. One of the things I love about team books is the changing roster of the team. I miss the covers with the faces bordering the artwork, showing the rollcall, especially when it was a team-up of teams.

One of the best series to come from Vertigo in a long time is Jason Aaron’s Scalped. Part film noir, part hard-boiled detective story, part police procedural, Scalped continuously amazes me issue after issue. I’ve been reading it in trades, the third trade being the most current. Vertigo has been doing a good job of keeping the trades of their series coming out at a good clip, nearly keeping pace with the single issue releases. Six or seven issues come out and bang, a trade is on the shelves by the time the next issue is released. Along with the recently cancelled Exterminators, Scalped is the cream of Vertigo’s crop–which probably means it’s the next to get the axe. I wonder if we’ll see it get translated to another media soon; I can see it picked up by Showtime or HBO for a series.

I read Spider-Man: Swing Shift, the Free Comic Book Day issue from nearly two years ago. It was the first part of the first trade of Brand New Day, acting as a lead-in to the new Spider-Man continuity. Dan Slott’s stories of Brand New Day are probably my least favourite, as they seem to be a rehash of what he did with She-Hulk, particularly with the love triangles. I’d heard lots of complaints about Swing Shift. I’m not sure what there was to complain about, because there’s hardly anything there. I guess it really is a case of you get what you pay for. But, in essence, it fulfilled its mission; it introduced us to what Brand New Day was going to be.

I caught up on this week’s PVP, mostly one off strips after the arc with Brent meeting the 10th Doctor. Enjoyable as always, although Brent’s new chin is taking some getting used to. It’s interesting to look at the changes in the characters over the years, and how the designs have evolved. The chin is almost a minor change in comparison, but until I get used to it, I’m going to stumble a few times when reading the new strips.