Posts Tagged ‘vertigo’

Read Comics Book Club

June 7th, 2008 by jason

Don’t forget, the Read Comics Book Club will be meeting this coming Wednesday, 11 June 2008, at 7:30pm. We’ll have a table in the back of the Source, near the soda machine, and we’ll be discussing Brian Wood’s Northlanders #1-6. We’ll also decide on the next discussion topic that day as well.

The Source Comics & Games
1601 West Larpenteur Ave
Falcon Heights, MN 55113
651-645-0386

We have no idea how many people to expect, so if you think you’re going to make it, please leave a comment below!

Comic book club?

May 15th, 2008 by jason

Back when we first started up ReadComics.org, we had multiple plans for what we wanted to do with it. One of our ideas was for some of us to get together and do a book club, but with comics, trades, etc. and maybe record it for a podcast. Now that we have readers and listeners, maybe we should revisit the idea. Much like the podcast, maybe one of us just needs to pick a book, set a date and location, and go for it. So I’ll do it.

First pick will be Northlanders #1-6, by Brian Wood, a Vertigo comic, with issue 6 coming out next Wednesday. The first five are still available at various comic shops around town. We’ll meet Wednesday, June 11, at 7:30pm, location to be announced.

Absolute Sandman Vol. 2, Echo 1, Ookla the Mok, new issues

March 12th, 2008 by Susie

Lot’s of stuff to write about! 1)Last christmas Florence, and Marty got me the first volume of Absolute Sandman.  It was awesome, the second volume is even better.  The Absolute line (yes the name does make it sound like a promotion for Vodka) from DC is basically a repackaging of some of their most acclaimed series, in oversized, beutifully designed hard covered books.  Usually the art is recolored, and the back of the book is jammed with extra content.  I usually don’t think it is worth buying a second copy of something if the story has not changed, and other Sandman I don’t think I will (although Kingdom Come is tempting).  With Sandman they have reprinted three tpbs, per volume.  Volume 2 contains the Seasons of Mists, a Game of You arcs, and most of the short stories from the Fables and Reflections collection.  Though volume 1 had some really great issues, this is the period in Sandman in my opinion where it came into it’s stride both with the story and the art.  SoM, is an epic that feels like an ancient myth that no one had transcribed yet.  Lucifer decides to quit being the adversary, kicks everyone out of Hell, leaves locking the door behind him.  He gives the key to Dream, whom he had previously vowed to destroy but now just hopes it will make his life a little difficult.  Which it does, as figures from many different pantheons (religious as well as comic book) arrive in the Dreaming seeking the deed to Hell.  Reading it again now, it is amazing how a few small interactions in these early issues set in motion the conclusion of the whole series.   At one time Season of Mists was my favorite arc, but now I feel a Game of You surpasses it.  It is a much smaller scale story than most of the other large arcs, and though Morpheus id in it, he is mostly periphery.  The main character is Barbie, who was a periphery character in the Dollhouse (collected in volume 1).  She had at one time had a very vivid dream life, in which she was a princess in a magic world of talking animals called the Land.  She has however stopped dreaming, and no longer remembers the Land.  In her absence the Land has started to die and is under the thrall of a monster called the Cuckoo.  Barbie does eventually return to the land and the it causes serous damage to the waking world.   The story could just be another “magic land ” like Oz, or Wonderland, but the conclusion id entirely originally.  The supporting cast Barbie’s neighbors: sweet transvestite, Wanda, lesbians Hazel and Foxglove, and the witch Thessaly (the only one to have any importance to the bigger story of Sandman), as well as the Land’s animals, giant dog creature Martin Tenbones, and Wilkinson a cynical rat wearing a trench-coat, are some of the most memorable in the whole series.  These are the stories that where the art  finally moves away from the typical horror comic style (overly lined faces, and colored in sickly purples and greens) .  Despite having some of the most horrific  scenes in the whole series, a man chained to rock in Hell having his chest repeatedly torn open, a pile of decapitated heads singing, the face torn from corpse nailed to wall happily chatting away with it’s wagging tongue.  It was well worth spending seventy dollars for this excellent new printing. 2) I also read echo number 1.  It is Terry Moore’s new creator owned comic.  It appears to be his take on super heroes.  Of course the heroine is one of his beautiful girls.  the first issue is a simple origin story.  Girl taking pictures in the dessert, inadvertently finds herself in the path of a explosion, gain a super powered suit.  That is all that has happened so far.  Except that we know that the owners of the suit seriously nasty, killing the previous wearer of the suit (hence the explosion) just to test it’s durability.  I know in few issues this is going to have completely sucked me in, and the story will be any thing but simple.  This is from the creator of Strangers in Paradise after all. 3) I have totally fallen in Love the album Super Secret from the band Ookla the Mok.  They are by far the geekiest band I have every encountered.  Nearly every high energy song song is a packed with references to comic books, old school science fiction, or alien abductions.  A sample of one of there lyrics from the song Theme from Super Skrull “He can turn one leg invisible, which is not all that practical. Unless you are quite gullible, you won’t get fooled by Super Skrull!”  My favorite song on  the album is called Stop Talking About Comic Books or I will Kill You, but the one I can not stop humming is Guggenheim Love.  The songs are not only catchy, they are hilarious. 4)  In a couple of hours i will head over to my local comic shop and pick up a months a worht of issues.  Including issues of, Buffy, Angel, Runaways, Fables,  Astro City, and the first issue of Serenity: Better Days!  Woo hoo!That is all. 

Y the Last Man #60

February 26th, 2008 by Susie

Y 60 cover When I read the last issue of Y the Last Man, I had this feeling of deja vu. I felt to me like the last chapter of Lord of the Rings. Both are basically a really long epilogue. All the plot threads have been tied up and the story is pretty much over. They serve to tell us what happened to the heroes once the adventure has finished and both give a bittersweet view of what happens to heroes once the adventure is over. The issue begins sixty years after the previous issue ended. The human race has tentatively recovered from the plague that killed all creatures with a Y Chromosome, back in issue one. A vaccine has been developed to prevent the plague, and cloning has advanced to the point that the population is on the rise. Whether the old fashioned way of making babies will make much of a come back is uncertain. As for Yorick Brown, the only survivor of the plague (along with his helper monkey Ampersand), he is an old man. He had become an important symbol of hope to what had remained of humanity. His daughter now in her sixties is the president of France and seeing him grow bitter and suicidal in his old age, fears the affect should his condition become public. He is locked up in straight jacket and kept company by several, far too well behaved, clones of Ampersand. The only possible way to bring him out of his funk, she believes, is to have him spend time with one of his many clones. Through a series of flashbacks ( that to the reader are still flash forwards) we see what became of the supporting cast, and it is indeed bittersweet. Each one eventually dying . He is once again the lone survivor, this time of his makeshift family instead of his gender. The young Yorick clone is twenty-two and the spitting image of Yorick from issue one. But this man is as much a cheap imitation as the helpful Ampersands copies. It is clear that what formed Yorick into the man we have grown so fond of over the last fifty-nine issues, is the journey he took and the relationships he formed during those fifty-nine issues. It is telling, and fitting, that the one flashback we get to happier times, takes place amid rotting corpses and eminent danger. The last page hits just the right note. Leaving you to decide if Yorick is Frodo going at last to the the Grey Havens, or Sam returning to his family sad but content. Maybe both. So while I hate to see this series end, I can’t wait to find out what Brian K. Vaughn will do next