Posts Tagged ‘Neil Gaiman’

Brand New Sandman Comic! (eventually)

July 14th, 2012 by Susie

Watch this.  Do it!

http://www.youtube.com/watch?v=GndnR7oSYYk&feature=player_embedded

Announcement

Long time readers of this blog can probably guess how I feel about this.  He doesn’t say when it will come out or if it will be a single issue, a mini series, a maxi series, or a standalone graphic novel.  my vote is for the latter, since after months of anticipation waiting a month between installments would be torture.  Of course I will buy it regardless of format.  I’m very glad he’s giving us another glimpse into this universe.  Sandman is such an important mythology to me, it feels a bit like Homer announcing an untold tale of Odysseus.

 

(By the way, if you are one of the five people who have purchased something from my Redbubble shop, thank you from the bottom of my heart.)

Fantasy Casting Call: Director Edition

April 20th, 2012 by Susie

The Avengers is only a few weeks away!  I’m super excited (and already have tickets for opening weekend).  I think Joss Whedon was the perfect choice to direct.  He knows how to direct dynamic action sequences without losing sight of character arcs, and can handle a large ensemble without having one or two characters dominating while the rest get lost in the shuffle.  And he always brings the funny.  So in honor of this excellent director/comic pairing, I thought I’d try matching up comic books I want to see adapted with the directors that should do the adapting.

Maus as directed by Julie Taymor.  Maus is a masterpiece.  It’s the only comic to win the Pulitzer for literature.  And it’s probably unfilmable.  But if it ever is, Taumor is probably the only director who could pull it off.  I know her last comic adaptation, the Spider-man musical, didn’t work out so well, but Maus is far more in her wheelhouse.  Most of her work both on screen and stage has dealt with death and or tragedy.  She often uses masks and puppets to create moving and effective imagery, dealing with some of the darkest aspects of the human experience.  Maus is a holocaust survivor’s story as told by his son.  The Jews are depicted as anthropomorphized mice and the Nazis are cats.  Masks are a running motif throughout the comic.  Maus isn’t really a project I see movie producers clambering to make happen, but I’d be fascinated to see it.

Y the Last Man as directed by JJ Abrams.  In YLM a mysterious plague kills every male person and animal on Earth except for one man and his pet monkey.  The comic follows the last man on earth as he and a few companions travel through the ruins of society (the loss of half the world’s population overnight, caused some serious chaos) trying to figure out what happened.  This is complicated by the fact that he is the most valuable commodity on the planet, and is pursued by numerous governments and organizations.  JJ Abrams is one of the most successful television creators in recent memories.  He has a hand in such diverse projects as Lost, Felicity, Alias, and Fringe.  He’s recently had big screen success with Super 8 and the Star Trek reboot.  He’s got the chops when it comes to action, as well as suspenseful conspiracies (aside from pretty much all of the later seasons of Alias).  What he’s really good at is getting you really invested in characters in the midst of some crazy circumstances, and while the premise of YLM was great, what made it a must read were Yorick, Agent 355 and Dr. Mann.

Death as directed by Neil Gaiman.  Technically I’m cheating here.  At one time Neil was set to direct an adaptation of his comic Death the Time of Your Life.  But it seems to have fallen by the wayside.  I would love to see it revived.  Gaiman’s Death is one of the most original and compelling characters to come out of comics in the last twenty years.  And if anyone can get an adaptation of Neil Gaiman’s work right, it’s Neil Gaiman.

Fables as directed by Peter Jackson.  Fables is a big story, it’s been running for over a decade and more than a hundred issues.  There are hundreds of major characters and thousands of secondary characters.  I actually don’t want to see a direct adaptation (although I think Jackson could handle it).  The Fables universe is expansive.  I’d like to see an original story set in the Fables universe, featuring some of the less used characters (like what creator Bill Willingham did in the Fables novel Peter and Max).  Jackson have proven that he can create fully realized fantasy worlds.  And he’s done darker stories.  I think he can balance humor, magical elements of the series, while not shying away from it’s creepy side.  I know he’d give us a fairy tale that didn’t reek of Disney.

Runaways as directed by Joss Whedon.  What?  You didn’t think I’d let Joss get away with directing only one comic book movie, did you?  Runaways is one of my all time favorite super hero comics (though the kids in Runaways aren’t traditional super heroes).  With a bunch of sarcastic, smart, angsty, pop culture reference making teenagers with superpowers at its center, Runaways felt like a spiritual successor to Buffy the Vampire Slayer.  Whedon was such a fan that he wrote an arc of the series after creator Brian K. Vaughan left.  Joss is the only choice to direct in my opinion.  It must happen.  But I’ll be generous and let Joss finish up promoting the Avengers, film  the next two films in the Big Damn Serenity Trilogy, and the Dr. Horrible sequel, and and Goners, and finally give us the long promised Ripper tv series, before he starts work on Runaways.  I’m nothing if not considerate.

Gaiman, Niffengger talk on NPR

April 18th, 2011 by Susie

The full audio of talk is now online at WBEZ. It includes plenty of bits I forgot to mention, such as their thoughts on writer’s block, and the inspiration for the door to the other house in Coraline.

You can listen to it here,

http://www.wbez.org/sites/default/files/story/audio/2011-April/2011-04-16/amp110412cplneil-gaiman-and-audrey-niffenegger.mp3

Neil Gaiman and Audrey Niffenegger at the Harold Washington Library

April 13th, 2011 by Susie

Last night I had the opportunity to see Neil Gaiman, writer of among many other things the Sandman, speak to Chicago native Audrey Niffenegger, author of the Time Traveller’s Wife, at the Chicago Public Libray.  I jumped at the chance since they are two of my all-time favorite authors.  The event was in honor of Gaiman’s novel, Neverwhere, being chosen as this year’s One Book One Chicago selection.  

I was one of six hundred people who showed up at the Cindy Pritzker auditorium for the chance to see them. While in line, and later in the auditorium waiting for the talk to start I was pleased to see many people were passing the time with real, honest to goodness paper books, rather than phones or ereaders (I saw several of those as well).  Most people either had Neverwhere or another of Gaiman’s books, or one of Niffenegger’s.  I was severely tempted to get up and do a survey of the audience to find out what they were reading, in order to get recommendations.  Instead I began reading Lev Grossman’s the Magicians, and was thoroughly engrossed in it, by the time the guests of honor took the stage.

When they were introduced, the mention of the upcoming episode of Doctor Who written by Neil got its own round of applause.  Incidently, for the first time ever I noticed billboards advertising the new season on BBCamerica, up at train stations on my way to the event.

Before the talk began I bought a signed copy of Neil’s poem, Instructions, illustrated by frequent collaborator Charles Vess.  I also bought the Night Bookmobile, a short story of Audrey’s that she adapted into a comic.  I will probably write a review once I have read it.

The talk was very interesting.  Below I will list what I thought were the highlights.  I intended to ask them a question, but when the time came I was struck with the sudden doubt that I could project my voice well enough to be heard.  I can be rather soft spoken.  Eventually I rose my hand anyway (people much further back in the room were being heard just fine) but I didn’t get called on.  I sent my question into Neil’s blog, maybe he will answer it.

Highlights as I remember them:

*Neil detailed the origins of Neverwhere.  He said he had read a book by Gene Wolfe (I forgot to write down the title) that featured Chicago in a way that made the city feel like a character.  Similarly he read Winter’s Tale by Mark Helprin, that did the same for early twentieth century New York.  He suggested to an editor of his that someone should do book like that about London.  The editor said “why don’t you do it?”  He was taken aback, he thought he was giving the editor an idea to give to a “real writer” He didn’t say when this happened but it was either when he was still a journalist or just beginning to write comics.  He didn’t do anything with the idea at that point, but it was planted in his brain.

A few years later he ran into his friend, English actor/comedian, Lenny Henry, who mentioned that he had spoken to the BBC about doing a fantasy miniseries, possibly about warring tribes of homeless people in London.  He asked Neil if he wanted to write it.  Neil said yes, then went home and wrote a letter to Lenny saying that he didn’t want to write about tribes of homeless people in London.  Because he said he could make being homeless seem really cool, and he didn’t want to be responsible for a kid in Dorset (I don’t remember if that was the exact example he gave) running away from home, to be a “cool” homeless person.   Instead he wrote an outline of what became the BBC version of Neverwhere.

*He said that he usually uses a working title until he thinks of something better.  But that he usually doesn’t come up with anything better and so one day he winds up with a book in his hands called Neverwhere, and he thinks “why?”

*When asked how he came up with Coraline, he said when his daughter Holly was around four, she would come home from nursery school, find him at his type writer, and dictate stories to him.  They were about little girls who got locked in cellars, or whose mothers got replaced by witches that looked exactly like them.  He thought he should buy some ghost stories for her.  He went to his local book shop, and asked if they had anything really scary for little kids.  They had nothing of the kind.  And so he decided to write that kind of book himself.

*Asked about why he wrote Neverwhere as an all ages book.  Neil said he doesn’t know what age group a book will appeal to until after it is published and he finds out who is reading it.  He said that when he sent Coraline to his agent, she called him asking, “Do you honestly want me to send this to Harper Collins as a children’s book?” He asked why not, and she said it gave her nightmares.  He asked her to read it to her two young daughters, if they liked it then send it as a children’s book.  If they were turned into gibbering messes then–(he sort of shrugged there).  His agent read it to her her daughters, at the time seven and five.  They liked it, and so it went ahead as planned.  A few years ago, he attended a stage musical addaptation of Coraline.  He happened to be seated next to his agent’s younger daughter, by then fourteen.  He told her that Coraline got published because she wasn’t scared by it.  Her response was that she was terrified, but knew if she let on she wouldnt get to find out what happened next.

*Someone asked something to do with both Audrey and Neil working in visual mediums, as well as prose.  Sorry don’t remember what the exact question was.  Audrey said she often comes up with an image first, then writes as a way of figuring out what the story behind it is.  For example with the Time Traveler’s Wife, she thought of the title, then the image of an old woman sitting on a porch with a cup of tea, waiting for something.
Neil said that writing comics made him much better at describing things, because if he could not adequately describe an image, the artist couldn’t draw it.

*An audience member said she was in an American literature class in which a faction of the students were studying American Gods as non-canonical literature.  She asked him what he thought of the possibility of American Gods becoming part of the accepted curriculum.  He said he thinks authors should have the safety of being dead for a good amount of time before their books start being taught.

*On the topic of American Gods.  He said that the are places in Europe that are ancient and feel sacred.  And on them people built things like Stone Henge.  There are also places like that in America, but here we build giant balls of twine, or replicas of the worlds biggest wheel of cheese circa 1977.  And people visit, and get their pictures taken in front of them, and leave shaking their heads wondering what the hell that was all about.  And that was part to of the impetus to write American Gods, to explain it.

*He said that he has been working on a short story set in the Neverwhere universe called How the Marquis Got His Coat Back.  In which we meet the Marquis’ brother, who is exactly like the Marquis only worse.

*He isn’t planning on writing a sequel to Neverwhere anytime in the foreseeable future.  But if he does, he knows that a brass bed will be involved.  Sometime back, he read an article about workers finding an antique brass bed in the London sewers.  It could not have been brought done there whole, so someone must have brought it down piece by piece, and assembled it.  No one could figure out what it was doing there.  He read the article, and thought “I know.”

*He revealed that Terry Jones is working on an television miniseries version of Good Omens.  He did not say what channel would be producing it, or how far along it was.

*On collaborating with Terry Pratchett, he said it was great, because he was writing for an audience of one.  He would write with purpose of making Terry laugh.  And vice versa.

*Someone asked what upcoming books they recommended.  Audrey said she had read a book called the Night Circus, by Erin Morgenstern.  She described it as the an amazing, creepy story about the best circus you could possibly imagine.  Neil recommended a graphic novel called Anya’s Ghost, by Vera Brosgol.

So that is my best recollection of what was discussed.  If anyone else was there and has a favorite bit I didn’t include, please leave it in the comments.  And they mentioned at the beginning that it was being recorded for Chicago Public Radio, but the did not say when it will air.  If and when I find out I will link to it here.

Updated: the Gene Wolfe book is Free Live Free.

Dream Casting, Sandman Casting Call Part 15: Animal and Vegetable Edition.

October 5th, 2010 by Susie

Sandman ran for 75 issues, and in them featured hundreds of memorable characters.  All with names and interesting back stories.  I could keep going for months trying to cast them all, but I think I have covered nearly all the major players.  Today I will get through the last, that I expect to do. Unless I realize I have left out anyone important, or come up with a particularly inspired choice for one of the minor characters.

These last characters all have in common that they will need to be portrayed by either, puppets, CGI, or an actor in major prosthetics, or a combination of all of the above.  I will pick a voice actor for each.

Morpheus had a series of pet ravens.  They are usually the spirit of a dead man that has been reincarnated as a raven.  He retains his human personality and ability to speak, but in every other way, such as taste and behavior, he is a raven.  The one that he has for most of the series, except flashbacks to earlier eras, is named Matthew.  He is the spirit of Matt Cable, a supporting character from DC’s earlier horror/fantasy epic Swamp Thing.

Matthew is loyal, rough around the edges, and a little sardonic.  Before he died Matt Cable made some mistakes, and hurt people he cared about.  It was interesting to see Matthew the Raven striving to atone for those mistakes, and become a little more sensitive.  He often served as the audience’s surrogate.  One that could openly ask questions like, what is going on? And, why did you do that?  As well as being a sympathetic ear for Dream.

Though if memory serves Matt Cable was an American character, I always heard Matthew speaking with an English accent. Which is probably why I went with a British actor for the his voice.  Clive Owen

Owen has a deep, rich, but slightly gritty voice.  Just what I hear when I read Matthew’s dialogue.  He often plays characters with some darkness in their past, while still be able to deliver a biting one liner.

Next we have Barnabas.  Barnabas is Destruction’s pet/companion.  He appears to be a large grey dog.  He too can speak, and has a human like personality.  Though he does show that he likes dog things like chewing on stuff, and getting scratched behind the ears.  It is unclear if he is simply a talking dog, or a reincarnated spirit like Matthew.  He is very down to earth, and sarcastic.  If he wasn’t a dog, he would constantly be rolling his eyes. I’m going with Michael Palin for his voice.

Palin is of course a member of Monty Python.  He would be able to play the sarcasm, and the intelligence, along side the warm, nurturing side of the character.  And of course he would nail the utter goofiness of him going dog-giddy over a stick.

Last but hardly least, is Mervin Pumpkinhead.  One of the few characters that is there purely for comic relief.  His body is made of twigs, and his head is a jack o’lantern.  He usually wears overalls or coveralls, and has a cigarette hanging out of his mouth.  He is the janitor/handyman of the Dreaming.  He is a smart aleck, with a wise crack for everything.  He has a somewhat inflated ego, and likes to hear himself talk.  I am choosing another Python, for him.  Eric Idle

Idle knows how to play a smart-ass.  Since Merv’s face so simplistic his personality is really going to have to come through his voice.  Idle has plenty of voice over experience, and is really versatile.

I also think the character should have a real person in a suit, perform his movement.  As again, he is such a minimal design, he could come across as very artificial if he was purely CGI or animatronic.  For that I suggest Doug Jones.

Jones has made a career of bringing to life extraordinary, fantasy characters. He played one of the Gentleman, a terrifyingly creepy monster, on a particularly memorable episode of Buffy.  More significantly he has worked with Guillermo del Torro, playing Abe Sapien in both Hellboy films, and the Faun and the Pale Man in Pan’s Labyrinth.  He is impossibly tall and thin, and is incredibly expressive with his body.

Okay, that it is it for this series of posts.  I can’t believe I made it to fifteen posts.  It has been fun.  I may try another fantasy casting project for another comic series, but I haven’t thought of one yet (maybe Fables).  As I said in the very first post, I really don’t want to see Sandman made into a film. I think it exists in its ideal form already.  I do think it probably will get adapted someday, and if even one of my casting choices made it to the screen, I would be super excited.

Dream Casting, Sandman Casting Call Part 14: Maiden, Mother, Crone, and Crazed Agent of Vengeance. Yay!

October 4th, 2010 by Susie

The three woman who repeatedly appear in Sandman went by many names: the kindly ones, the fates, the furies, the weird sisters.  They were consistently shown as a trio of woman that seemed to function as one being.  They always appear as one young woman, one middle aged women and one very old woman, aka the maiden, the mother, and the crone.

They served many purposes in the series.  They were used as prophets, that occasionally commented on the action, and less frequently propelled it.  They were also the furies, the means through which justice for a primal crime, was acted out.

Typically they looked different every time they appeared, so to remain true to the comic they should be played by several different actresses.  However for the purposes of keeping this post relatively short, I will only cast one actress each.

Lisa Backwell as the maiden.

She played the lovable, loopy, and naive, Pandora on the third and fourth series of Skins.  She has a round, child like face, that would make for a good contrast with the other two.  The maiden was sometimes drawn as older and more voluptuous than Backwell, but she also sometimes looked like little more than child.

Brenda Blethyn as the mother.

While she is a very versitile actor, she has played quite a few mothers.  In such films as Pride and Prejudice, Lovely and Amazing, and Little Voice.  All very different mums, but maternal nonetheless.

Jackie Burroughs as the crone.

Burroughs has been working steadily since the mid sixties, and is still going strong.  She has looked nearly exactly the same for the past twenty years.

Finally for today’s post is Hippolyta Hall.  She was not created for the Sandman, but was a DC Comics heroine that went by the name of the Fury.  A title she inherited from her mother, (though in a bit of confusing crisis muddled continuity, she was also Earth Two Wonder Woman’s daughter).

Poor Lyta did not have an easy time of things in the series.  She was married to the second DC hero to carry the title of the Sandman.  Both she and her husband Hector, were unknowingly tricked by a pair of renegade dreams, into being trapped inside a child’s dreams.  To make matters worse, her husband Hector was dead, but being stuck in the Dreaming, neither of them knew this.  And on top of that Lyta was heavily pregnant when she was trapped, and remained so for the whole two years, that she was stuck there.  When Morpheus discovered what had been done by the misbehaving dreams, he put end to it, setting the Halls free.  This however effectively killed Hector.  He was already dead, but freed from the dreaming, his spirit was allowed to move on.  Lyta of course had no idea what had happened, she just saw her husband disappear, and her world dissolve.  Morpheus, not being very sensitive to other being’s distress, didn’t bother to explain any of it to her.  Which left her with a mighty grudge against Morpheus.  One that was easily exploited by those who wished him ill.

I would cast her with Amber Benson.

She was excellent as the lovely Tara on Buffy.  She is also a talented writer and director, who has made several independent films, and published quite a few fantasy books.  She would be able to sympathetically play Lyta’s rage at the powerlessness she has over her life, even while becoming more of a pawn.

I think the next post will be the last in this series.

Dream Casting, Sandman Casting Call Part 13: Gods both Tricky, and Catty. Plus a bonus Faerie.

October 1st, 2010 by Susie

Like I said before, all types of gods were welcome in Sandman.  One of the most memorable was Bast.  The Egyptian goddess with a human body and a cat’s head.  She was a major goddess in her time, but as her following dwindled, so did her power.  Her personality is as catlike her appearance.  She is at times: flirtatious, self interested, aloof, affectionate, and playful.  There also times when the sadness of her loss comes through.

My pick to play her is Virginia Hey.

She played a regal, enigmatic, goddess-like character as Zhaan on Farscape.  As such she has loads of experience acting through large amounts of makeup, that the role would require.

Next up we have one of the ultimate trickster gods, Loki.  He is portrayed just as he is in Norse mythology.  The untrustworthy adopted son of Odin.  He loves a dirty joke.  He can’t pass up any opportunity to mess with anyone, and he doesn’t like being shown up in any way.

My pick is Iggy Pop.

He looks a lot like the character as drawn, and he is a pretty good actor.  He played a sweet, softy of a suburban dad on the Adventures of Pete and Pete, in the nineties.  Think of what he could do with an anarchist god.

Finally we have Puck, of A Midsummer Night’s Dream fame.  In Sandman he is depicted as a malicious imp.  More likely to slip strychnine in your coffee, as give you donkey ears for a night.  In his true form he looks like a tiny hairy devil creature, but he can also look human.

And my pick for him is David Tennant.

Obviously Tennant is very capable of being lovable, which is the antithesis of the role, but I really want to see him play a malignant character.  I am sure he can pull off the right mix of hyper, and viscious.  It would be fun to see him play the human form, and also a motion captured CGI version.

Next up the furies!

Dream Casting, Sandman Casting Call Part 12: Ladies (please say in Flight of the Conchords voice)

September 30th, 2010 by Susie

Rose Walker is an American teenager that becomes embroiled in one of the earlier plot lines of the series.  She is central to the second arc, but also pops up later on in a smaller role.

She is shown at first as having her hair dyed in several wild colors.  Later she has a more muted red-brown hair, with just a single streak.  Her face is round and youthful, regardless of her eventual age.

My pick for the role is Amber Tamblyn.

She looks the part, and she could handle Rose’s sarcastic shell that protects her more vulnerable nature.

Nada is an African princess from an unspecified time period.  Pre recorded history, most likely.  She became involved with Morpheus, and it led to her down fall.  Despite the tragic turn her story takes, she has an innate strength of character, and dignity.

I’m going with Lauryn Hill to play her.

( I could not find a picture of Nada anywhere.)

She is best known as a musician and singer, but she has acted as well.  She looks a bit like Nada as drawn, but more importantly she projects the integrity inherent in Nada, as well as the charm that would captivate the Dream king.

Finally for today is Thessaly.  She is one of the more mysterious characters in the book.  It is implied that she is many centuries old, and that she is a witch.  She is also rather ruthless, or at the least not very concerned with politeness.  She usually knows more than she says about any given situation, and she doesn’t have much patience for those who know less than her.  She is depicted as being very petite, with brown hair, and a heart shaped face.  She usually wears round glasses that are too big for her face.

My choice for the part is Elisabeth Moss.

She is currently playing Peggy on Mad Men.  She can play shrewd, and intense, like nobody’s business.  It would be really fun to see her play intimidating.

Up next will be sundry gods and goddesses.

Dream Casting, Sandman Casting Call part 11: Mortal, Immortal, and Other

September 29th, 2010 by Susie

Shakespeare was a character that popped up in Sandman from time to time.  There was no gimmick to it.  He wasn’t a time traveller, or a wizard.  He was just Will Shakespeare, Elizabethian Era playwright, struggling to make good.

I think I’d cast Gary Oldman.

I don’t really have much to say for my reasoning behind the choice.  I just think he’s a good actor who looks good with a beard, and who seems comfortable with Shakespearian dialogue.

Hob Gadling is another character that didn’t appear often, but made quite an impression.  He is first seen in the fouteenth century, claiming that dying is for suckers.  Dream overhears this, and makes a deal with him.  Death won’t come for him until he decides he is tired of life.  Dream checks up on him once a century, and we get to see him go from rich man to beggar, and back again.  We see him happy with a full life and family, to a man that has outlived everyone he loved.  And regardless of his circumstances he always chooses to go on.

His physical appearance remains pretty much the same through out, just his clothes changing to match the times.  He is shown to have reddish brown hair and usually a beard.  My pick is Ewan McGregor.

For no other reason than I like him.  I think he is charming, and so is Hob.

Morpheus had a son named Orpheus.  And a couple of daughters named Blorpheus and Shmorpheus, I kid!  Orpheus is in fact the same Orpheus from the Greek myth Orpheus and Eurydice.  He actually has pretty pivotal role to play in the series, and it’s one I am loathe to spoil, so I won’t go into it too much.  He starts as a relatively carefree youth, but goes through a trauma that changes him a great deal.  His appearance is mainly of a nice looking young man, but with a haunted look in his eyes.

Who better for that than Matt Smith?

He is of course the latest actor to take up the mantle of the Doctor, and he’s done a bang up job of it.  He often comes across in the same scene, as very young boy and an old old man.  Which is just right for Orpheus.

Rounding out today’s post is Daniel Hall.  To say what Daniel’s role in the series is, would be to give away a major plot point.  So I won’t.  I’ll just say that he begins as an adorable human baby, and by the end he is neither a human or a baby.  So for the early scenes he should be cast with a beautiful, blue eyed baby , with curly blond hair.  For the later scenes I would cast Mitch Hewer.

He played the talented and impish Maxxie, on the first two seasons of Skins.  He has a very youthful, and sweet look, and is drop dead gorgeous.  Daniel needs to look innocent, but also wise.  I think Mitch would nail that.  And with that, I am officially out of pretty blond males.  This cast has taken them all!

Next post will probably involve important ladies.

Dream Casting, Sandman Casting Call Part 10: Beautiful Dreams and Nightmares.

September 27th, 2010 by Susie

The next three dreams, did not appear in Sandman as much as the others I’ve already featured, but they did make an impression.

Eve may be the biblical Eve, or she may not be, or both could be true.  She lives in a cave, and seems to have great knowledge and power.  She could have been the first woman.  Or a goddess of prehistory.  Or an old crotchety witch.  Or any of a number of other female archetypes.

Her appearance changed with each time she appeared in the series.  Sometimes she was an ancient crone, sometime a middle aged motherly type, and sometimes a beautiful voluptuous young maiden.

Since she always looked like the same woman, but at different ages, I would cast her with a single actress and put her in the appropriate aging makeup.

My choice is Christina Hendricks.

Eve is drawn as having black hair, but I’d rather keep her as a redhead, and hope the Sandman super-fans will forgive me.  Hendricks first impressed me on Firefly, where over the course of a single episode, she went from a naive farm girl, to a dangerous, seductive con artist.  She was equally convincing as both.  Lately she has been utterly mesmerizing as Joan on Mad Men.  It is one of the most nuanced performances on television.  She has been powerful, and also vulnerable.  Confidant, and also petty.  Charming, and also manipulative.  Sympathetic, and then repellent.  She owns every scene she’s in.

Fiddlers’ Green is unique in that he is actually a location.  An idyllic patch of land, that travelers, sailors in particular, often dream of.  Fiddlers’ Green decided one day to go traveling, himself.  He took a human form and set out to see the Waking World (which is what our world is referred to, in the Dreaming).  He took both the appearance, and general personality, of the prolific late nineteenth, early twentieth century, English author G.K. Chesterton.  He called himself Gilbert (which was Chesterton’s given name), and was genial, lovely man.  I didn’t know that he was based on Chesterton, when I first read Sandman.  In fact, I only learned it this afternoon, when I was reviewing the Sandman character page on Wikipedia.  I am just not as familiar with English fantasy authors as Neil Gaiman is.  Before today I had identified Gilbert as Teddy Roosevelt.

But the fact that he is English rather than American, works even better for for the actor I chose, Jim Broadbent.

Gilbert is an incredibly lovable, somewhat blustery, fellow.  Broadbent is very good at playing endearingly, bombastic men.

Finally there is the Corinthian.  The Corinthian is a nightmare.  Nightmares have just as much a place in the Dreaming, as any other dream.  He too escaped into the Waking World.  In which he became a serial killer that preyed on adolescent boys.  He is one of the most chilling characters I’ve ever come across.  He looks like a handsome, well built, blond man.  He almost always wears sunglasses.  That is because he doesn’t have eyes.  Where his eyes should be, he has two small mouths.  It is really creepy.

My choice for the part is James Marsters.

He has appeared in countless scifi and fantasy series.  Such as: Torchwood, Caprica, Smallville, but he is best known for playing Spike on Buffy, and later its spin off Angel.  He, like Hendricks, is a top rate scene stealer, but he manages to do it while making everyone he is playing against look better.  He has great comic timing, but also excels at imbuing his characters with depth.  He can go from broad physical comedy, to intense emotional soul barring, in the blink of an eye.  He is also capable of scaring the living daylights out of me.  Which is essential for the part.  But his range will also come in handy for some aspects of the Corinthian’s storyline, that I don’t want to give away.

I also want to put in a quick plug for Marsters’ audiobook narration of Jim Butcher’s Harry Dresden series.  They are a blast.

Next time, some notable humans.

Dream Casting, Sandman Casting Call Part 9: Faeries!

September 26th, 2010 by Susie

Dream Casting, Sandman Casting Call Part 9: Faeries!

In Sandman all religions, and mythologies were welcome.  You could see Odin one eye, rubbing elbows with the Lords of Order and Chaos.  There were several denizens of Fairyland, that would come in and out of the narrative at their will.

The king and queen of Faerie’s appearances were few, but memorable. They came across as haughty, a touch petty, and very powerful.  They appeared of humanoid, but not human.  They are longer, and thinner than us.  Their faces are elfin.  Oberon has green skin and greenish white hair, and rams horns.  Titania has light blue skin, and dark blue hair.

My pick for Oberon would be Jude Law.

He played a character in the Talented Mr. Ripley, that was prettier than everyone else, and damn well knew it.  That is exactly the quality that is needed most for Oberon.

For Titania I’m going with Cate Blanchett.


She played an Elf queen in the Lord of the Rings, so she certainly has the look for it.  It would also be fun to see her playing a devious, self serving, fairy queen, to contrast with Galadrial’s almost angelic nature.

The most prominent fairy to grace the pages of Sandman, was Nuala.  She was sent to the Dreaming as an ambassador of Faerie.  Or so she thought.  She was actually sent as a gift to Morpheus, from the king and queen.  Morpheus had no interest in her, but as it is unwise to refuse a fairy gift, he allowed her to stay.

When she first appears it is as a stunning blond.  It is soon revealed that that is a glamour.  Her true appearance is a very petite, slightly awkward looking brunette.

For the glamoured version I propose January Jones.

I think the reasons are obvious.

For the non glamoured version, I’ll go with Emma Watson.

She has that new adorable pixie cut, and is tiny, and has plenty of experience playing awkward despite being gorgeous.

Nuala’s brother, Cluaracan, also frequently pops up in Sandman.  His personality can best be summed up as amusingly drunken, braggart.  He too, often wears the glamour of a tall, beautiful, blond.  His real appearance is more modest.

For his glamoured self I would go with Alexander Skarsgard.

He is best known as Eric on True Blood. Between the angels, the fey, and a few other characters coming up, I am exhausting my supply of pretty blond boys.

For the non glamoured version, I cast James McAvoy.

He could handle the comedy, as well as the slightly tragic aura that sometimes leaks through.  He isn’t a conventionally pretty boy, but he rocks what I like to call the homely hot factor.

Coming up, a few more dreams.

Dream casting, Sandman Casting Call Part 8: Heavenly Creatures and Hellspawn.

September 25th, 2010 by Susie

Sandman played host to gods and demons from a vast array of pantheons.  This post will concern itself with the biblical.

One of the most complex characters in the series is Lucifer.  So much so, that he was given his own long running spin off series.  His arc is one of the most surprising in the whole series, so I won’t go into it.  I’ll just describe his back story.  He was the light bringer, God’s most beloved Angel.  He decided that he didn’t like being a servant to his creator, so he led a rebellion of Angels.  They lost, and were cast out of Heaven.  They fell and became the residents and staff of Hell.  Lucifer became the Lord of Hell, also known as the Adversary.  He was fond of saying it was better to rule in Hell, than serve in Heaven.

This version of the Devil is erudite, calm, slick, and very dangerous.  He is drawn to look like the angel he once was, but with (for  lack of a better word) a certain edge.  His hair is sometimes shown as blond, sometimes as red.  His eyes are piercing, his cheekbones sharp.  Everything about him is sharp, including his taste in clothes.  He favors tuxedos, with a jaunty scarf, for accent.

Neil Gaiman apparently based him on David Bowie, and it’s hard to argue with that.  Except to say, I would not cast him.  Only for the reason, that I would find the fact that it was David Bowie playing a very David Bowie part, at this point in his career, distracting.

So instead I nominate Jonathan Rhys Meyers.

He already played a Bowie-esque character in the film Velvet Goldmine.  And he did it with great aplomb.  He’s also played sinister characters very well.  Most recently he played a self centered, hot tempered, king on the Tudors.

Lucifer had a demon lover, by the name of Mazikeen.  She was devoted to him, and she rules.  She is a badass!  And I kind of love her.  She has a very distinctive look, one that would have to be replicated with a lot of prosthetics, and probably CGI.  One side of her body looks like a beautiful brunette, the other is a twisted, mangled approximation of a human woman.  She is equally proud and confident with both.  My pick for her is Famke Janssen.

(This picture is taken from the Lucifer series, after Mazi’s “deformity” was corrected.  She was not at all pleased by that.  She continued to wear a mask over the side of her face where it had been.)

Famke is best known for playing Jean Grey in the X-Men films, but it was her turn as a sociopath on the first season of Nip/Tuck, that put her in my mind for Mazikeen.  I haven’t considered anyone else since.  She projected intense strength and intelligence in that part, even as she did super crazy stuff.

There were a couple of non fallen Angels in Sandman.  They were almost always together, so I will cast them as a team.  Remiel, was the mouthpiece of the two.  Only because Duma, the Angel of silence, never spoke.

They look very similar.  Slight, feminine, beautiful men, with curly blonde locks.

I would put Joe Anderson, as Remiel, and Eddie Redmayne, as Duma.

Anderson has played supporting parts in Across the Universe, and Becoming Jane.  He is very nice to look at, and he could properly convey the arrogance that is hiding under Remiel’s humble exterior.  I have only seen Redmayne in an adaptation of Tess of D’Urbervilles, in which he played a character named Angel.  That wasn’t what made me think of him.  There is something unusual about his face.  It isn’t necessarily ethereal, but it is otherworldly.  I think he could bring out the enigmatic quality, of Duma.  He is silent, but he is very present.

Coming next, faeries!

Dream Casting, Sandman Casting Call Part 7: Dream Boys

September 24th, 2010 by Susie

Morpheus’ realm is called the Dreaming.  It is where we all go when we dream.  It contains all the people and things that we dream of.  The setting and populace shift constantly.  However there are some fixed (or as fixed as things get in the Dreaming) characters, they are known as major dreams.  They are part of our collective unconscious.

Possibly the most important is Lucien (at least in his role).  He is in charge of the library of the Dreaming.  It contains every book ever dreamed of, which includes books that were written, and books that were only ever written in the author’s head. That spy thriller you wrote two chapters of, lost interest in, then forgot it existed?  It’s there.  Want to read the version of Tale of Two Cities where Darnay gets guillotined, and Carton assumes his identity and gets the girl?  It’s there.

Lucien is Dream’s most trusted subject.  He is fastidious, loyal, and a touch snarky.  He is the Dreaming’s butler, professor, CEO, and nanny, all rolled into one.  He is tall, rail thin, with rust colored hair that sticks up in tufts.  He wears small wire framed glasses, and formal, slightly Victorian style suits.

My choice for the part isn’t actually an actor, and isn’t a perfect match physically, but he reminds me of Lucien in the way he carries himself.  Tim Gunn.

I could probably come up with an actor, that could do the job very well, but I like Tim.  He is my choice.  He feels like Lucien to me.

Next up is Cain, of Cain and Abel.  Aka the first murderer.  That is who he is more than the Cain of the bible, though he is that as well.  He is the first being that came into existence that took another being’s life.  When the story of Cain and Abel came into existence it was about him, and so he became Cain.

He is loud and aggressive, and sarcastic.  He is constantly going through the cycle of seeking out his brother for company, finding some flaw in him to pick at, going into a rage, and killing him.  Over and over again.  It is as much his function, as it is Destiny’s to observe it.  Despite his unpleasantness, I rather enjoy his scenes, when he isn’t killing Abel.  It helps that his victim, always gets up again (yet that also makes it worse, it’s complicated).  And his sardonic commentary on the action is pretty funny.

He is drawn as a tall man with brown hair, that sticks up in two points to give the illusion of horns (this hairdo is also known as the wolverine).  He has a beard, and dresses in shabby brown suits.

I would cast Christopher Eccleston as Cain.

He can play the manic energy, and the wit.  He also can work a homicidal glint in his eyes.  By the by, this cast list by the time it’s done, will include a lot of people from Whedonverse shows, a few more cast members from Skins, and likely Eccleston will not be the only Time Lord.

There needs to be an Abel to go with our Cain.  Abel is the first murder victim, to Cain’s first murderer.  He too is stuck in a cycle.  He can’t get away from his brother.  He desperately wants them to get along, but he knows  the inevitable outcome.  He is timid, and a stutterer, and has a tender heart, which he knows he has to conceal from Cain.  He is not capable of standing up for himself.  He is both adorably sweet, and cringe inducingly pathetic.

He is a short, stout man, with black hair, in a Wolverine cut of less prowess, and a goatee.  He too wears shabby suits, in blue.

I had a two top contenders for the part, both specialize in playing sad little men.  Ricky Gervais, and Paul Giamatti.  Gervais looks more like the character, but I think I’m going with Giamatti.  Gervais’ brand of SLM usually is not aware of how pathetic he is, while Abel knows all too well.  A Gervais character that is self aware loses some of the necessary patheticness.  On top of that Gervais has recently lost a great deal of weight, and looks too good to play Abel anymore.  Giamatti can do a self aware SLM, that is still a sad-sack.

(I had a lot of trouble finding pictures of Abel, and could only come up with this one of him recently murdered.  He does recover I promise.)

Next up, Angels, Demons, and the devil himself.

Dream Casting, Sandman Casting Call Part 6: Tail End of the Endless

September 23rd, 2010 by Susie

Rounding out the Endless, are Destruction, and Destiny.  In Sandman things are rarely what you expect them to be.  Ie: Death is a perky, optimistic young woman, and Dream is a dour, moody guy, that mopes around in a long black robe.

Likewise, the embodiment of Destruction is a laid-back, Zen-ish drifter.  Although he wasn’t always.  He had to work pretty hard to achieve calm.  Which doesn’t mean he used to be a rageaholic, by all evidence he was pretty gregarious.  I don’t want to go too much into his arc, because it us pretty interesting.  So I’ll just get straight to his physical description.  He is impossibly tall, and broad, with long red hair, and a beard.  According to the Sandman Companion, the early inspiration for his look, was the English actor Brian Blessed.  Who could open his mouth so wide when he laughed, that it looked like it took up his entire face.  He is still working, so he could concievably do the part, but he is in his seventies now, and looking older than Destruction ever did.  And Destruction’s final look never did look that much like Blessed.  My top choice is Adam Baldwin

Even more than casting Summer Glau as Death, casting Adam Baldwin as Destruction, would have the Whedonites rejoicing.  He has played any number of lovable, and not so lovable, sociopaths over the years.  Lately he has become beloved in the geek world for two roles, col. John Casey on Chuck, and Jayne Cobb on Firefly.  He is appropriately physically intimidating, for the part, and his hair could easily made the right color and length.  He is a very good actor, he could play both the exuberant Destruction of the flashbacks, and the more subdued one of the present.

Destiny is probably the least interesting of the Endless (at least to me).  He is also the only one not to have been created by Neil Gaiman.  He is a character that had been knocking around the DC universe since the early seventies.  He really doesn’t have much of a personality.  His job is to observe everything that happens, and make sure it goes down exactly as written in his book.  Which is pretty easy, as everything that happens, has happened, and will happen is written in the book.  Including him reading the book.  He doesn’t have opinions, or preferences, or emotions.  His main physical characteristic is a long brown cloak, with a hood that is always drawn down over his eyes.  Since his eyes are never shown, and he is described as being blind (although he still reads, and moves in a way that proves it is not a hindrance), it is possible that he doesn’t have eyes.  The other main feature, is the enormous book that is always chained to his wrist.

Given that you don’t see his face, and that he doesn’t need to posess much charisma, you could put just about anyone under the hood, and it would work.  So I’m going with Bill Nighy, just because I like him.

It almost seems a shame to hide that much charm under a cloak, but he can do restrained and aloof as well.  Maybe he can even manage to make the character a little less dull.

Up next a few prominent dreams.

I’m not going to link to the previous posts anymore since there are too many now.  They should all be available on the main page, or by clicking the tags.

Dream Casting, Sandman Casting Call Part 5: Worst Double Date Ever

September 22nd, 2010 by Susie

It’s interesting that in a series that included, demons, serial killers, trickster gods, and the Judeo-Christian devil, the most malevolent creature of all, is Desire.  It’s true that desire is not an inherently bad thing, but it can make people do dangerous, reckless things.  And Desire of the Endless seems to represent this aspect of the concept, more than any other.  Desire is neither man nor woman, rather it is both, and therefore is always referred to as it.  This makes sense, since desire is not a gender specific concept.  Then again, neither is any of the other concepts the Endless represent, and the others all stick to one gender identity.

Desire the concept is not solely about lust.  You can desire just about anything.  Lust is however desire, and the entity Desire seems to concern itself most with lust.  And it seems to derive pleasure from making people desire things that are not good for them.  It is safe to say that, while it is not specifically a woman, Desire is a petty bitch.  Get on its bad side, and it will make it its mission to take you down.  It holds grudges, and goes to great lengths to get revenge.  Usually manipulating things at a great distance, to keep its hands appearing clean.

Desire’s appearance is one of androgyny.  Most often looking like either a handsome woman, or a beautiful man.  Its clothing was often either menswear, when looked the most feminine, or fetish-wear, when it was more masculine.  The artists tended to make it resemble those nineties icons of gender blurring, Annie Lennox, and KD Lang, and occasionally David Bowie.

There is really only one actor in my mind that could pull it off, Tilda Swinton.

Not only does she favor a somewhat androgynous look in her personal style, she has already played a gender bending supernatural role, as the title character of Orlando.  She also demonstrated bone chilling maliciousness, as the White Witch in the Lion the Witch and the Wardrobe.

Desire has a twin sister, Despair.  They aren’t twins in that they look alike.  Far from it.  They simply came into existence at the same time, and are often intertwined.  Desiring something too much can make you miserable.

While Desire the character, is almost entirely unsympathetic, Despair is not.  She does not wish to make people unhappy, it is simply her function.  Just as Death does not cause people to die, she just takes them when they do.  Despair embraces the miserable to her bosom, and drowns them in it, but it’s not out of viciousness.  In her own way, she is helping them.  She seems to have genuine affection for her twin, and a few of the other Endless.  And she seems to be a little lonely, since most non depressed people, do not wish to be anywhere near her.  And she tries to stay away, since as I said, she does not want to cause misery, it just leaks off her like radiation.  Just like being around Delirium, can make a person crazy.

Despair looks like a female sumo wrestler, if the sumo was the height and scale of a twelve year-old child.  Even if there is a person out there that fits that description, it would be a miracle if they also possess the acting chops to convey the nuance of the part.  So I am proposing hiring a very good actress, and then putting them in extensive makeup, and maybe augmenting it with visual effects.  My candidate is Judi Dench.

That is in no way a comment on her looks.  I think Judi Dench is gorgeous.  If I look half that good at half her age, I will be very happy.  She is such a good actress, that I think she can make the character sympathetic through the makeup, while still being very creepy.  In fact, the idea of lovely, warm Judi Dench, speaking in Despair’s skin crawling voice, and ripping at her flesh with a hook, sends wonderful shivers up my spine.

In the next post I will finish off the Endless, and we will see from there.

Read parts 1, 2, 3, and 4, by following the links.

Dream Casting, Sandman Casting Call Part 4: Crazy Cute.

September 21st, 2010 by Susie

Now that I’ve got Dream and Death well cast, I’m going to try to tackle the most variable character in the series.  Delirium is the youngest of of the Endless.  Which is a bit like calling a 150 foot Sequoia, small because most get up to 160.  Nevertheless, she does have a childlike quality to her.  As the embodiment of insanity, she is unpredictable, sometimes sweet, playful, and careless.  Sometimes dangerously sensitive to slight, and quick to anger.  She is easily distracted, and nearly impossible to have a coherent conversation with.  All of which makes her the most compelling character in the series to me.  And many of her scenes are the ones I find most entertaining.

It also makes her very difficult to cast. Like her fellow Endless, her appearance changes frequently.  Unlike the others, hers changes rapidly, often mid-scene, sometimes mid-sentence.  She has few consistent physical characteristics.  She most often looks like an adolescent girl, though occasionally looks as young as nine, or as old as twenty.  Her clothing is usually in tatters.  Her hair, is often a wild variety of unnatural colors, although sometimes it is partially, or completely shaved.  Her most consistent feature is that she has one blue, and one green eye.  However, the most reliable way to identify her is by her technicolor word balloons, and nonsensical dialogue.

In my last entry, I site the fact that Summer Glau’s breakthrough role on Firefly, had too much in common with Del (as she is affectionately referred to), to make her my choice for Delirium.  It would feel a bit like a repeat performance.

So I hesitated a little with my top choice for the part, Hannah Murray, because she has also portrayed, a spacey, vulnerable, occasionally dangerous, character.  She played the mentally ill, anorexic, Cassie, on the British, out of control teens drama, Skins.  I’m giving her the part though, because fewer people who would be going to see Sandman, would have already seen Skins, than would have seen Firefly.

She demonstrated on Skins, that she possess all the necessary skills to play Delirium.  She made Cassie, a character that could have been played for laughs, or as a freak show, into someone you couldn’t take your eyes off.  She had me constantly yelling at the screen, for someone to please pay attention to her, as she desperately needed help.  Anytime someone hurt her feelings, I felt it, and demanded vengeance.  And when she was happy, it was magic.  She managed to make me entirely invested in her safety, even when she was the one endangering it.  And she scared the bejesus out of me, in her darker moments.

She looks young enough, and with good wigs, and makeup, she can pull off Del’s ever-changing looks.  The effects department will have to work out how to add the frogs, fish, and or butterflies, that tend to manifest out of thin air, around her.

My alternate choice, should the imaginary studio require a bigger name, is another Whedon alum.  Sarah Michelle Geller.

The second image, is a portrait of Delirium, that I found in a book called Vertigo Visions.  The strong likeness of the Del in this picture, to Sarah Michelle, is what put her in my mind for the role.  The books dates it as having been done in 1995, two years before Buffy made her a household name.  It could be a coincidence, or the artist Sherilyn van Valkenburgh, could have spotted the then unknown (and at that point brunette) actress in something, and used her as the model.

Either way, I think she could handle the part.  She displayed a lot of versatility over her seven years as Buffy.  Displaying strength, and spunk, along side vulnerability, and introspection.  She is in her thirties now, but she is on the tiny side, I’m sure with the right costumes and makeup, she could be made to look the appropriate age.

Okay, that’s it for the major parts.  The next entries will be two or more characters each.  Starting I think, with the twins.

Click to read parts 1, 2, and 3.

Dream Casting, Sandman Casting Call Part 3: Death Wish List

September 20th, 2010 by Susie

In part 1, I gave my reasons for embarking on this project.  In part 2 I cast my Dream.  Now it is time put my casting cap back on, and pick an actress for the role of Death.  In the universe of the Sandman Death is an upbeat, very cute, goth girl.  As with all the Endless, her appearance changes, depending on her surroundings.

However, she is one of the more consistent of them.  Her clothing does change according to the era, but for the most part, she is thin, pale, dressed all in black, with black hair, that is only slightly less messy than Dream’s.  She always wears an ankh, somewhere on her person, usually as a necklace.  And she has a black curlicue, under one eye.  She is most often seen wearing a black tank, and black jeans, and occasionally finishes it off with a top hat, and umbrella.

She is the most relatable, down to earth, member of the Endless, and she is probably the series’ most beloved character.  She is also the character that I have had the most trouble casting.  She has to be instantly likable, and yet formidable.  She has to be both glib, and insightful.  I kept coming up with actresses that worked in one aspect, and failed in another.  Natalie Portman, is cute enough, but I’m not sure she’d be able to convey the character’s power.  Angelina Jolie could cover the power, but is too intimidating.  Amy Adams, too cute, no edge at all.  Death had to be all of that and more.  She has to be someone who you’d actually be happy to see at your final moment.  I went back and forth.  I think I’ve finally got it.  Summer Glau

She is probably best known for her roles on two short lived Scifi series.  She played Cameron, a cyborg assassin, on The Sarah Connor Chronicles.  And on Firefly, she played River, a brilliant, psychologically damaged, young girl, made into a sleeper agent by the government.  She was so good at portraying River’s insanity, while also showing her vulnerability, and under lying danger, that I was considering her as the top contender for the part of Delirium.  But I felt that actually might be like casting her in the same part, especially since there is a big overlap in the audiences for Firefly, and Sandman.  Then as I was crossing out another name to play death, I remembered the charm, Glau brought to the role of River.  The fact that she moved with a preternatural grace.  The way she could deliver the strangest non sequitur, in way that made you think it would make perfect sense if you were just inside her head.  Most of all, the looks she gave to her big brother when he was being an idiot, would translate perfectly into the, affectionate yet exasperated, way Death relates to Dream.

Look at her here, imagine it as a top hat, and that’s our girl.

It doesn’t hurt that she bears a slight resemblance to Fairuza Balk.  Who at one point, I’m not sure if it’s still the case, had been set to play the part, in the film adaptation of Death the Time of Your Life.  Which was a spinoff miniseries of Sandman.  Considering the film was set to be directed by Neil Gaiman, it would be fair to say Fairuza is his top choice.

However, as popular as Summer may be with the geek community, it may be necessary to pick a bigger name, to get the movie made.  So under duress I would submit my next choice.  Zooey Deschanel.

She has been the winsome, indie, girl next door with an edge, du jour, for the past couple of years.  For good reason, she’s charming, and beautiful, and talented.  She’d be very good for the part, I just like Summer Glau a little bit more.

Coming up in part three, Delirium!

Dream Casting, Sandman Casting Call Part 2: Casting Dream.

September 19th, 2010 by Susie

I already gave my reasons, for why the Sandman should never be made into a movie in part one. I’m going to try casting it anyway. From now on I’m going to play the part of a casting director, for my ideal imaginary version the film. And in the world of Sandman, imaginary versions of things, are just as valid, as real ones

The most important part to cast is of course the Sandman himself.


Some background on the character, before I get to my casting pick(s). The Sandman of the title* is actually Dream the anthropomorphic embodiment of dreams. He is a member of the group of beings known as the Endless. Each of whom is the living representation of a universal concept, that happens to start with a D, in English. Some of the others are Death, Destruction, etc.

Dream has many names, all of which are either the word for dreams in another language or variations there of, or the name of the god or king of dreams from a specific culture. However he is most often referred to in Sandman, as Morpheus, so that is what I’ll call him from here on.

One of the qualities that all the endless share, is their tendency to shift their appearance depending on whom they are speaking to. For example when Morpheus had an affair, with an African Princess, he looked like an African Prince (albeit an African Prince with several of his more unique features). When he met with a house cat, he looked like a house cat version of himself. In those scenes, the casting would have to be done accordingly.

But, for the most part Morpheus looks like a very pale, thin man, with messy black hair that defies gravity. And eyes, that are depicted as pieces of the night sky, with stars shining out of them. Not an easy look to find in nature.

My top pick for the part, is a little known actor, named Peter Wingfield.  He recently had a small part on Caprica, but he caught my attention, over a decade ago, when he got a prominent part on the television series Highlander. Which was a surprisingly good adaptation of the silly Highlander movies. Peter played an immortal named Methos. He was at least five thousand years old, and often came across as morally ambiguous. He did a great job of projecting the character’s age, despite his youthful appearance. A trait that will be useful for playing Morpheus, who is only slightly less old than existence itself. He also would be able to portray the character’s humanity, along with his other-worldliness. Beside that he just looks the part to me. Morpheus was most often depicted as having a long, angular face. As does Peter.

(And look how good he is with the naughty smirk! Not a skill he would really be able to put to use in the part. Morpheous’ default expressions, are mope, and scowl.)

He can even pull off the ridiculous hair, without looking a complete prat.

(Well not too much, at least.)

The only drawback in my mind is how little well know he is. Which I don’t really consider a drawback, as I think the role benefits from there not being any baggage being brought in by the actor. However my imaginary studio bosses probably would not see it that way.

So when they say, “This simply won’t do! No one has heard of this guy! We need a name for the poster.”

I will stomp my feet, and storm out of the meeting, and hold my breath until I turn blue. And when I have picked myself off the floor, after realizing that they could not care less if I died of asphyxiation, I would submit my alternate choice. Guy Pearce.

He has the bone structure, and the liquid eyes the part calls for. While his resume carries some stinkers, such as The Count of Monte Cristo, and the Time Machine, in both of which he came across as rather wooden. He was impressive in both Memento, and the Adventures of Priscilla Queen of the Dessert. Which shows some range. Although neither part had much of the Dream king in them. Still, at least he’s a recognizable name.**

Stayed tuned for part three, where I try to conquer Death! Er, I mean find a suitable actress to fill the part. Sounds more dramatic the first way!

*There are two other Sandmen that appear over the course of the series. They are both DC comics heroes that have used the title in the past.

**Phooey, Methos forever!

Dream Casting, Sandman Casting Call Part 1: In which I explain why I hope the Sandman movie never gets made, and then decide to assemble my dream cast anyway.

September 18th, 2010 by Susie

Anyone I’ve ever spoken to that has read Sandman, says the same thing.  That it should never be made into a movie, because it couldn’t possibly be done right.  Yet it has been in development, at one studio or another, for at least ten years.  The reason for this is that it is a beloved property, that many consider comic books first masterpiece.  So why don’t it’s many fans (me included) want to see it filmed?

To start off with it, it is seemingly impossible to film.  The story is long, taking ten years, and seventy-five issues to tell, not including spin offs, and follow ups.  Trying to compress that into a single, or even several two hour movies, would be very difficult.  Beyond that, it is a story that jumps around in time, and space, and worlds (Faerie, other planets, heaven, hell, and most often dreams).  It often requires a strong background in history, mythology, religion, and DC comics, to fully understand.  And it sports a cast of characters that number in the hundreds, many of whom are important, to the tale as a whole, and absolutely essential to their small part of the story.  In short it is a story that has already been told, in the best way it could be.

Still in the right hands it could be done.  There could be someone out there, talented enough to simplfy that complex narrative into something satisfying, that still holds the charm and beauty of the original.  And we would all still have the comics for when we wanted the real thing.

The bigger issue in my mind, is how integral to the story, the art is.  Not just because, it being a comic, all the action is drawn, but because of how the various artists chose to interpret it.  The artist usually changed every time a new story arc started.  Which meant the characters often looked different each time you saw them.  Which gave the reader a fresh perspective on them.  Many of the characters appearance changed according to whom they were speaking to, or where they were, at any given time.  Which could get very confusing, if it was attempted on film.

The main reason I don’t want it filmed, is because I love it so much.  Anything short of brilliant would be heartbreaking.  And there is so much potential for failure.  I have often said if it was made into a movie, I’d boycott it , just to spare myself the agony of seeing what was done with something I hold so dear.  That is a lie, though.  I would absolutely see it.

Partly because I want to support, Neil Gaiman and all the artists that worked on it, by paying for a ticket, and hoping a little of the money gets back to them, after the theater, the studio, the director, the cast and crew, all get their cut.  Mainly, on the off chance, that somehow it turns out like that other beloved franchise, that people claimed was utterly unfilmable, Lord of the Rings.  Even though those films were not a direct page by page adaptation of the books, most fans agree that Peter Jackson got it right nevertheless.  And it caused many people to buy and read the books, that likely would not have otherwise.  If the Sandman movie did the same for the comics, more the better.

No, I could not resist seeing it.  Although I am totally one of those assholes, who would complain loudly afterward, if it was bad.  Actually, I doubt I could wait until the end, I would likely  jump to my feet, screaming “No! No! No!” the second the credits read, “and Jennifer Lopez* as Death.” And I would keep screaming the whole two hours, or until I was asked to leave.  I’m not proud of it, but it would happen.

I am also the type of person who loves coming up with fantasy casts, for movies that haven’t been made yet.  I seriously once stayed up most of the night, coming up with the ideal cast for a production of Pride and Prejudice, as done by a mix of humans and Muppets.

Which brings me to the point of this long winded post.  I have decided to do a series of posts, in which I pretend that by some twist of fate, I am a bigwig, hotshot casting director, who has been tasked with putting together the cast for the hypothetical Sandmam movie.  I will do individual  posts for each of the major characters, and subsequent posts will have two or three of minor characters lumped together.  We will see how far I get, before running out of steam.  I will try to avoid divulging too many details of the character’s fates, for anyone reading who has not yet read Sandman, but still may.  And if you like comics at all, I suggest giving it a try.

My pick for the person to play Morpheous, will be coming either later today or tomorrow.  I will choose my directer right now.  The only director I think could do the project justice, would actually be the combined forces of Guillermo del Toro, Spike Jonze, Michel Gondry, and Alfonso Cuaron.

*I actually don’t universally hate Jennifer Lopez.  She was very good in Out of Sight.  She just should under no circumstances be cast as Death.

ReadComics Podcast #042 – Bookclub #15 – Books of Magic

March 28th, 2010 by Martin

This podcast is an episode of the ReadComics Book Club where we talk about the first four issues of The Books of Magic #1-4, the issues written by Neil Gaiman. Angela, Florence, Jason J, Jason T, Marty, and Susie all give their opinions and impressions. Tangents abound, of course, and other topics include: various other Vertigo titles (Sandman, of course), Harry Potter comparisons, and “annotated” versions of comic books (Watchmen, Grant Morrison, Crisis on Infinite Earths). We hadn’t read (or known about) David Goldfarb’s Books of Magic annotations until mid-podcast. Enjoy!

Listen to ReadComics.org Podcast Episode #042 (32 MB, 70 minutes)

My top 15(ish) female comics characters

March 18th, 2010 by Susie

I have been meaning to do this post for a while, ever since Florence posted the link to the list of the top women in comics of the last decade. Now in honor of my brand new niece! (congratulations Florence and Marty!) I present my favorite female comics characters.  I am not limiting myself to any decade, and am not going in any order of preference.

1) Grandma Ben, from Jeff Smith’s Bone

though her granddaughter Thorn is pretty special too, Grandma Ben is awesome, and unique.   When was the last time, any medium introduced, a female character with a Popeye-esque build, and gray hair, let alone one that could slay a dragon?   Grandma is tough as nails, a champion cow racer, and incredibly strong.   She is also a loving guardian for Thorn.   Grandma rules!

2) Death & Delirium, from Neil Gaiman’s Sandman

Sandman introduced some amazing female characters: Mazikeen, Nuala, and Titania among them. These two are my favorite. I don’t think I’m alone in finding the idea of death as a perky,  sensible, Mary Poppins quoting, goth chick, very comforting.  She is someone you’d want to hang out with, except you would have to die to do it.

As for Delirium, well I’m a sucker for the damaged, quirky, somewhat dangerous, yet fragile girls.   See also: River from Firefly, Drusilla from Buffy, Cassie from Skins, and Arkady from Freak Angels.   Del is the quintessential example of this kind of character, since she is the physical embodiment of insanity.  She is so vulnerable, that your heart aches for her.  She can also be charmingly innocent, and then turn on a dime and be scarily prescient. I love her, that is all.

3) All of the women of Strangers in Paradise, form Terry Moore’s Strangers In Paradise

While Katchoo and Francine are the female leads, every last character with two x chromosomes (and the ones with a y as well) is an completely fleshed out person.  From shallow bimbo Casey (who some how evolved over the course of the series into one of the most lovable characters), to Francine’s overbearing mother, to Tambi, Katchoo’s  hard-ass mafia connected half sister, had nuances and depth, that made them entirely believable.  I can’t single any of them out, they are some of the best written women I have every read.  They are also some the best  (if not just the best) drawn as well.  None of them looked the same (except Tambi, and Bambi, who are twins and even they had their differences), and that is remarkable in an industry where so often an artist just has one, totally unrealistic female boy that they draw, and just changes out the clothes, face and hair, to differentiate them.  All the women in SIP have different, and very real looking bodies, as well as faces.  Something that Terry Moore has continued into his new series Echo.  Well done Terry!

4) Buffy Summers, from Joss Whedon’s Buffy the Vampire Slayer

Okay, Buffy  is not a character that originated in comics, but this is a list of my favorite female characters, and Buffy Summers has to be on this list.   Because she is Buffy freaking Summers!  In the Buffy season eight comics, Joss and his team have continued the growth of the character, that started in the tv series.  She is still struggling with her place as a hero and leader as it evolves, without it feeling like a retread of what has already been done with the character.  And she has her flaws as well as strengths, that makes her feel like a real person.  I am so glad we got more Buffy, regardless of the medium, but I think she is a great addition to comics’ pantheon of heroes.

5) Elaine Belloc, from Mike Carey’s Lucifer

I nearly put Mazikeen onto this list, and if it was a list of great bad asses she would be on it, but it’sa list of my favorite, and while Mazikeen is close, I am going with Elaine.  Elaine started as a little girl trying to get Lucifer to help her get revenge for her dead friend Mona.  She ended the run as a powerful, deity, in contril of her own universe.  In a way Elaine became as much of a main character, as Lucifer.  Probably because Lucifer, as interesting as he is, is not very relatable.  Elaine on the other hand was both relatable, and infinitely likable.  She was a plucky and clever, girl who could both stand up, to and for the devil.

6) Molly O’Reilly, from John Ney Reiber’s Books of Magic

Though the Books of Magic, was created by Neil Gaiman, the majority of it’s run was written by John Ney Rieber, and he is the one who introduced Molly.  When he left the series, he took Molly with him.  Like Elaine, she is character, that came to rival her series’ main character, in popularity.  Once she feel in love with Tim Hunter, poor Molly did not have it easy.   She got kidnapped, by an obsessed, evil, future version Tim, and stranded in the hostile realm of Faerie.  All the way I was rooting for her, she managed to stick up for herself, and survive.  While I was convinced she and Tim, were soul mates, I was never prouder of her, than when she told him off for treating her badly, and cut ties for good.  I would love to see a return of Molly at some point.

7) Harley Quinn from various Batman comics

Like Buffy, Harley originated on tv, in the animated Batman series, and she was so popular, she was added into the official Batman continuity.  When you try to describe her, she comes across as a character I just should not like.  She is obsessed with the Joker, and is happy to let him walk all over her, and treat her like crap.   She has a very shaky moral center, and will probably betray her friends, if it will get her into the Joker’s good graces (she is getting a little better about that).  Yet I love her.  There is something that is so charming about her.  She makes me laugh any time she is involved in a story.  I like her best, when she is being written by her creator Paul Dini, as she is in the current Gotham City Sirens series.  It helps that in comics, we don’t hear her grating, over the top, (Brooklyn?) accent.

8) Gert Yorkes, from Brian K. Vaughan’s Runaways

Runaways is another series that has a lot of good female characters to choose from.  I love Gert for many reasons, one of them being that she is a teenage female comic character, that does not have a supermodel body (and she still got a hot boyfriend).  She also is smart, sardonic, and brave.  Plus she has purple hair and a pet dinosaur!

9) Agent 355, from Brian K. Vaughan’s Y: The Last Man

This is the character that would top the list of all time bad asses (along with Mazikeen, Tambi, and Grandma Ben).  In a series that has just one male character, 355 is the standout female.  She is a tower of strength.  She does her job, no matter what.  Somehow Vaughn managed to show her more vulnerable side, without diminishing her toughness.

10) Jessica Jones, from Brian Micheal Bendis’ Alias and the Pulse

Jess started the series as a bit of a self destructive mess.  As the series progressed we got to see the very justifiable reasons for it, and also see her grow past it.  Now Jessica Jones, may not be the greatest super powered person in the Marvel universe, but she rivals Spider-man for me as the most human.

11) Babara Gordon, from Gail Simone’s Birds of Prey

Barbara has been part of the DC universe since the silver age, first as Batgirl, then as Oracle.  However it was Gail Simone’s run on Bird’s of Prey, that really sold me on the character.  After all, she is a hero for the simple reason that she is very very smart.  She is also a very capable fighter, despite not having the use of her legs, and a good mentor to younger female heroes.  Plus, she is a hot red head with glasses.

12) Kabuki, from David Mack’s Kabuki

Kabuki is an amazing comic, and Kabuk is herself is at the center of it.  She is a touch crazy, and for good reasons.  Watching her story evolve from a simple revenge tale, to an in depth examination of her damaged psyche, has been fascinating.  The art is gorgeous, as well.

13) Knives Chau, from Bryan Lee O Malley’s Scott Pilgrim

Of the three main girls in Scott Pilgrim, Ramona is still too much of an enigma, for me to relate to.  And Kim, is funny, but not given much to do.  Knives however, I get.  Probably way too well.  She is a teenager, who has fixated on an older guy, who just never actually cared about her that much.   Her flailing attempts to get him to notice her, and later to just be in his circle, seemed very authentic.  Besides, she can do kung fu, that is cool!

14) Lois, from Alison Bechdel’s Dykes to Watch Out For

There are countless, realisticly portrayed women, over the course of this twenty some year strip.  I chose Lois because, she seems like the one who’d be most fun to spend an afternoon with.  The rest have too many neroses, and issues, which makes them feel very real, but might make spending time with them a bit stressful.

Couldn’t find a picture of  Lois:(

15) Marlys, from Lynda Barry’s Ernie Pook’s Comeek

Marlys, is just the greatest!  She will tell you so herself.  She is also a wonderful spaz.  Totally upbeat, in the face of adversity, and creative to a fault.  She makes me happy.  And she is a hell of a dancer!

Okay, were there any glaring omissions?  Let me know.

Next Bookclub – Books of Magic

March 7th, 2010 by Martin

It’s my turn to pick a book for the book club, and since we’re into this modern fantasy genre with the Unwritten (we still need to record a follow-up podcast talking about the last 6 issues or so), I choose The Books of Magic. It’s often cited as Harry Potter contemporary, and I’ve had a signed copy sitting on my shelf for at least a year now waiting for me to read it. (As of this writing, I’m actually about 3/4ths of the way through it.)

Since most of our regulars have probably already read this, I’ll encourage everyone to read as much as possible of the series, so we can discuss more than just the first TPB, but we’ll probably focus on that as a starting point.

I propose we meet near the end of this month–Sunday, March 28th at 2PM. We have plenty of time to reschedule before then.

Is Neil Gaiman a Firefly Fan?

December 30th, 2008 by Susie

I was reading the Graveyard Book last night (and boy is it good), and I also noticed that the names of a pair of police men were Simon and Tam.  Which just happens to be the name of Firefly’s handsome and proper/desperate fugitive doctor.  So that got me wondering if it is an intentional reference.  And if it is, that is cool! Which got me to thinking if he is a fan of Firefly, perhaps he is a fan of Joss.  Since I can’t imagine anything making me happier than Neil Gaiman working on a Joss Whedon project.  So on the theory that if you shout something loudly enough into the Internet it will actually happen, and so this post can actually be about comics. I am hereby announcing NEIL GAIMAN WILL BE WRITING AN ARC OF BUFFY SEASON EIGHT!  Right, I hope that was loud enough.  Let the completely untrue rumors soar!  You can’t take the lie from me.

Married With Comics – November 5th

November 10th, 2008 by Martin

Since these will be spoiler filled discussions, we’ll hide these behind a link. This week your favorite married comic-reading couple will be discussing four really good comics that happen to have come out this week: The Authority: World’s End #4, Gigantic #1, Sandman: The Dream Hunters #1, and Top 10 #2. (Not in that order.)

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Neil Gaiman grab bag

September 10th, 2008 by Martin

Yesterday, while reading Neil Gaiman’s blog (which is often written in the 3rd person, and probably not by Neil himself), I stumbled onto several interesting links, not the least of which is this song/poem titled “I Google You“. Follow the link for both a youtube video of someone performing the song, and also (in the comments) Neil himself has posted the lyrics.

In case you were wondering where this image came from, Neil has a new book coming out soon called The Graveyard Book. It’s another full length young adult novel, and is about a boy who grows up in a cemetery, raised by ghosts. Click the title for a lengthier description.

Bonus links: Neil answers questions at the Mouse Circus FAQ. The latest issue of ImageTexT, (“a web journal dedicated to furthering comics scholarship in a variety of disciplines and theoretical perspectives”) features “The Comics Works of Neil Gaiman”, which basically means a bunch of scholarly essays about Gaiman’s comic books. I find this sort of academic BS hard to read, but maybe there’s some interesting stuff buried in there.

ReadComics Podcast #010 – From Chicago

June 23rd, 2008 by Martin

Our podcast tonight came to you from Susie’s living room in Chicago, recorded on Marty’s iPhone.

We talk about Wizard World extensively (duh), Wonder Woman, Warren Ellis, FreakAngels, Batman: Gotham Knight, Madman, The Filth, Grant Morrison, jason’s love of Image Comics (and Zombies), x-men, Chicago comic book shops: Brain Storm (and the Comic Book Queers Podcast) & Dark Tower (and the Around Comics Podcast), Jason’s green skin fetish (mostly for Hulkling and Changeling), Karate Kid and Ralph Macchio, (but not Ralph Macchio the Marvel Editor, the not the Karate Kid from Legion), and a bouncing zombie jesus f-ing christ.

Listen to ReadComics.org Podcast Episode #010 (37.4 MB, 1:21 hours)

Absolute Sandman Vol. 2, Echo 1, Ookla the Mok, new issues

March 12th, 2008 by Susie

Lot’s of stuff to write about! 1)Last christmas Florence, and Marty got me the first volume of Absolute Sandman.  It was awesome, the second volume is even better.  The Absolute line (yes the name does make it sound like a promotion for Vodka) from DC is basically a repackaging of some of their most acclaimed series, in oversized, beutifully designed hard covered books.  Usually the art is recolored, and the back of the book is jammed with extra content.  I usually don’t think it is worth buying a second copy of something if the story has not changed, and other Sandman I don’t think I will (although Kingdom Come is tempting).  With Sandman they have reprinted three tpbs, per volume.  Volume 2 contains the Seasons of Mists, a Game of You arcs, and most of the short stories from the Fables and Reflections collection.  Though volume 1 had some really great issues, this is the period in Sandman in my opinion where it came into it’s stride both with the story and the art.  SoM, is an epic that feels like an ancient myth that no one had transcribed yet.  Lucifer decides to quit being the adversary, kicks everyone out of Hell, leaves locking the door behind him.  He gives the key to Dream, whom he had previously vowed to destroy but now just hopes it will make his life a little difficult.  Which it does, as figures from many different pantheons (religious as well as comic book) arrive in the Dreaming seeking the deed to Hell.  Reading it again now, it is amazing how a few small interactions in these early issues set in motion the conclusion of the whole series.   At one time Season of Mists was my favorite arc, but now I feel a Game of You surpasses it.  It is a much smaller scale story than most of the other large arcs, and though Morpheus id in it, he is mostly periphery.  The main character is Barbie, who was a periphery character in the Dollhouse (collected in volume 1).  She had at one time had a very vivid dream life, in which she was a princess in a magic world of talking animals called the Land.  She has however stopped dreaming, and no longer remembers the Land.  In her absence the Land has started to die and is under the thrall of a monster called the Cuckoo.  Barbie does eventually return to the land and the it causes serous damage to the waking world.   The story could just be another “magic land ” like Oz, or Wonderland, but the conclusion id entirely originally.  The supporting cast Barbie’s neighbors: sweet transvestite, Wanda, lesbians Hazel and Foxglove, and the witch Thessaly (the only one to have any importance to the bigger story of Sandman), as well as the Land’s animals, giant dog creature Martin Tenbones, and Wilkinson a cynical rat wearing a trench-coat, are some of the most memorable in the whole series.  These are the stories that where the art  finally moves away from the typical horror comic style (overly lined faces, and colored in sickly purples and greens) .  Despite having some of the most horrific  scenes in the whole series, a man chained to rock in Hell having his chest repeatedly torn open, a pile of decapitated heads singing, the face torn from corpse nailed to wall happily chatting away with it’s wagging tongue.  It was well worth spending seventy dollars for this excellent new printing. 2) I also read echo number 1.  It is Terry Moore’s new creator owned comic.  It appears to be his take on super heroes.  Of course the heroine is one of his beautiful girls.  the first issue is a simple origin story.  Girl taking pictures in the dessert, inadvertently finds herself in the path of a explosion, gain a super powered suit.  That is all that has happened so far.  Except that we know that the owners of the suit seriously nasty, killing the previous wearer of the suit (hence the explosion) just to test it’s durability.  I know in few issues this is going to have completely sucked me in, and the story will be any thing but simple.  This is from the creator of Strangers in Paradise after all. 3) I have totally fallen in Love the album Super Secret from the band Ookla the Mok.  They are by far the geekiest band I have every encountered.  Nearly every high energy song song is a packed with references to comic books, old school science fiction, or alien abductions.  A sample of one of there lyrics from the song Theme from Super Skrull “He can turn one leg invisible, which is not all that practical. Unless you are quite gullible, you won’t get fooled by Super Skrull!”  My favorite song on  the album is called Stop Talking About Comic Books or I will Kill You, but the one I can not stop humming is Guggenheim Love.  The songs are not only catchy, they are hilarious. 4)  In a couple of hours i will head over to my local comic shop and pick up a months a worht of issues.  Including issues of, Buffy, Angel, Runaways, Fables,  Astro City, and the first issue of Serenity: Better Days!  Woo hoo!That is all.